“ˆ’Õm@‘Sì•i
(2018 Takehito SHIMAZU all composition list iuntil 2018.05.03j |
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1) ƒ^ƒCƒgƒ‹ | 2) Title(E) | 4) ì‹È”N Date of Work | 7) ‰‰‘tŽžŠÔ Duration | 8) ‰‰‰(‰‰‘t) ¡ |
12) |
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u‚·‚«‚Æ‚Ù‚é•—v‚P‚RŒ¼‚Æ‚P‚VŒ¼â¶‚Ì‚½‚ß‚É | " Transparent Wind " for 13-gen and 17-gen Koto | 2017.11.12 | 13 min. | 2017”N12ŒŽ5“úu‰ÍŒ´”ºŽqX‰ÍŒ´´ŽqƒŠƒTƒCƒ^ƒ‹v“Œ‹ž‹âÀƒ„ƒ}ƒnƒz[ƒ‹ | @ | |
u–¢—ˆ_Šy 2017v‚Ì‚½‚߂̉¹Šy | Music for Mirai-Kagura 2017 | 2017.08.26 | 30 min. | 2017”N‚WŒŽ‚Q‚U“úu–¢—ˆ_Šy2017viŽF˜a‡—ºˆêjA•Ÿ“‡ˆî‰×_ŽÐ | @ | |
uX‚ÖA‚·‚«‚Æ‚Ù‚Á‚½•—E“óv‚Ì‚½‚߂̉¹Šy@Ö“¡•¶t‚³‚ñ‚̌“W‚ÉŠñ‚¹‚Ä | @ | 2016.11.29 | 7 min. | ƒe[ƒv‚É‚æ‚鉉‰j2016”N‚P‚PŒŽ‚Q‚X“úuÖ“¡•¶tŒÂ“WvASARPiå‘äƒA[ƒeƒBƒXƒgƒ‰ƒ“ƒvƒŒƒCƒXj | @ | |
w—¬“]x‘ÅŠyŠí‘tŽÒ‚ƃRƒ“ƒsƒ…[ƒ^‚Ì‚½‚ß‚É | "Flux" for a percussionist and computer | 2016.09.23 | 12 min. | 2016”N‚XŒŽ‚Q‚R“úuã–ìMˆê‘ÅŠyŠíƒŠƒTƒCƒ^ƒ‹`hŽã‰¹‚Ì–£—ÍhvƒIƒyƒ‰ƒVƒeƒB‹ß]Šy“°A“Œ‹ž | @ | |
ƒpƒtƒH[ƒ}ƒ“ƒXwÎx‚Ì‚½‚߂̉¹Šy@ƒ‰ƒCƒuEƒRƒ“ƒsƒ…[ƒ^‚É‚æ‚é | Music for the performance "Stone" 2016, by live computer | 2016.09.22 | 20 min. | 2016”N‚XŒŽ‚Q‚Q“ú@—ìŽRŽq‹Ÿ‚Ì‘ºA•Ÿ“‡ | @ | |
u–¢—ˆ_Šy 2016v‚Ì‚½‚߂̉¹Šy | Music for Mirai-Kagura 2016 | 2016.08.28 | 30 min. | 2016”N‚WŒŽ‚Q‚W“úu–¢—ˆ_Šy2016viŽF˜a‡—ºˆêjA•Ÿ“‡ˆî‰×_ŽÐ | @ | |
ƒoƒŠƒgƒ“‚ƃI[ƒPƒXƒgƒ‰‚Ì‚½‚ß‚ÌuƒŒƒNƒCƒGƒ€ 2016v | REQUIEM 2016 for Bariton and Orchestra | 2016.04.01 | 10:40 | 2016”N‚SŒŽ‚P“úISCM
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¬º‡¥‚ƃsƒAƒm‚Ì‚½‚ß‚Ìw”ÑŠÚ‚ÌŽl‹Gx2015 | Four
Haiku, four Seasons in IIDATE 2015 for mixed chorus and piano |
2015.08.27 | 11 min. | ‚Q‚O‚P‚U”N‚QŒŽ‚U“úMFJ(Music from Japan)A•Ÿ“‡Žs‰¹Šy“°A‡¥j•Ÿ“‡‚Z¬º‡¥’c | @ | |
ƒoƒŠƒgƒ“iƒeƒm[ƒ‹j‚ƃsƒAƒm‚Ì‚½‚ß‚ÌuƒŒƒNƒCƒGƒ€v | REQUIEM for Bariton or Tenor and Piano | 2015.01.26 | 12 min. | ‚Q‚O‚P‚T”N‚P‚QŒŽ‚U“úuƒIƒyƒ‰‹¦‰ïƒKƒ‰EƒRƒ“ƒT[ƒgv•Ÿ“‡Œ§•¶‰»ƒZƒ“ƒ^[ATen)¡”öŽ ^Pf)”ªŠª | @ | |
u‘’‘—v@ƒgƒ‰ƒ“ƒyƒbƒg‚ƃMƒ^[‚Ì‚½‚ß‚É | Sou-sou for Trumpet and Guiter | 2015.12.11 | 7 min. | ‚Q‚O‚P‚T”N‚P‚QŒŽ‚P‚P“ú‘]‰ä•”´“T•ŽR“cŠx@ƒfƒ…ƒIƒRƒ“ƒT[ƒg@vol.4A—¼‘–å“Vƒz[ƒ‹ ‘]‰ä•”´“Tiƒgƒ‰ƒ“ƒyƒbƒgj^ŽR“cŠxiƒMƒ^[j |
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ƒE゙ƒ@ƒCƒIƒŠƒ“‚ƃIƒ‹ƒJ゙ƒ“‚Ì‚½‚ß‚Ìu¶X—¬“]v`Žá‚¢‰‰‘t‰Æ‚Ì‚½‚ß‚Ì—ûK‹È` | g Birth, flux, change and deathg for Violin and Organ | 2015.11 | 11 min. | 2017”N5ŒŽ25“ú(–Ø) ƒoƒCƒIƒŠƒ“‚ƃIƒ‹ƒKƒ“‚ÌDUO‚É‚æ‚éu¶X—¬“]v19 ŽžŠJ‰‰ “ú–{¹Œö‰ï¹ƒn゚ƒEƒ‹³‰ïAViolinj‹{• —C‰ÊAOrganj’†àV –¢”¿ | @ | |
u–¢—ˆ_Šy 2015v‚Ì‚½‚߂̉¹Šy | Music for Mirai-Kagura 2015 | 2015.08.23 | 30 min. | ‚Q‚O‚P‚T”N‚WŒŽ‚Q‚R“úi“úju–¢—ˆ_ŠyviŽF˜a‡—ºˆêjA•Ÿ“‡ˆî‰×_ŽÐ‹«“à | @ | |
Žº“àŠy‚Ì‚½‚ß‚Ìu’±X•Ï‘t‹Èv`•Ÿ“‡Žs“଒†Šw¶‚Æ‚Ì‹¤ì‚É‚æ‚é | Chamber Music"Choucho Variation" | 2015.03.24 | 10 min. | ‚Q‚O‚P‚T”N‚RŒŽ‚Q‚S“úAƒŠƒ“ƒJ[ƒ“ƒZƒ“ƒ^[Aƒjƒ…[ƒˆ[ƒN | @ | |
‡¥‹Èu‚±‚ê‚©‚çv`‚±‚Ç‚à‚½‚¿‚Ö` | Chor Music "From Now" towords Children | 2015.02.15 | 3 min. | 2015”N‚P‚QŒŽ‚U“úu•Ÿ“‡ƒIƒyƒ‰‹¦‰ï@ƒKƒ‰EƒRƒ“ƒT[ƒgvƒIƒyƒ‰‹¦‰ï‡¥’cA•Ÿ“‡‘åŠw¬º‡¥’cAŽwŠöj[‘ò‹mAƒsƒAƒmj”ªŠª˜a–ç |
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¬º‡¥‚Ì‚½‚ß‚ÌuˆêS•s—v`‚±‚Ç‚à‚½‚¿‚ւ̃vƒŒƒ[ƒ“ƒg` | Chor Music "Concentration" a gift to children | 2015.02.01 | 4 min. | 2015”N‚P‚QŒŽ‚U“úu•Ÿ“‡ƒIƒyƒ‰‹¦‰ï@ƒKƒ‰EƒRƒ“ƒT[ƒgvƒIƒyƒ‰‹¦‰ï‡¥’cA•Ÿ“‡‘åŠw¬º‡¥’cAŽwŠöj[‘ò‹mAƒsƒAƒmj”ªŠª˜a–ç | @ | |
ƒI[ƒPƒXƒgƒ‰‚Ì‚½‚ß‚Ìu’±X•Ï‘t‹Èv`•Ÿ“‡Žs“଒†Šw¶‚Æ‚Ì‹¤ì‚É‚æ‚é | "
Choucho Variation " for Orchetsra copruduced with the children in
Fukushima |
2014.11 | @ | 2014”N2ŒŽ11“ú•Ÿ“‡Žs‰¹Šy“°u‘æ1‚O‰ñƒI[ƒPƒXƒgƒ‰EƒtƒBƒ‹ƒWƒbƒqv‰‰‘t‰ï^ŽwŠöF‚‹´—T”ViƒAƒ“ƒR[ƒ‹‹Èj | @ | |
•½“c‘ºŒ’N‘Ì‘€‚Ì‚½‚߂̉¹Šy | @ | 2013.05 | 8 min. | @ | @ | |
•Ò‹È"Ich ruf zu dir, Herr Jesus Christ"(Œ´‹ÈFJ.S.Bach, BWV 639) | @ | 2013.11 | ‚R min. | 2013”N2ŒŽ7“ú•Ÿ“‡Žs‰¹Šy“°u‘æ9‰ñƒI[ƒPƒXƒgƒ‰EƒtƒBƒ‹ƒWƒbƒqv‰‰‘t‰ï^ŽwŠöF‚‹´—T”V iƒAƒ“ƒR[ƒ‹‹Èj | @ | |
¹‰Ì@`ƒI[ƒPƒXƒgƒ‰‚Ì‚½‚ß‚É | Hymn---Holy Song for Orchestra | 2013.11 | 7 min. | 2014”N2ŒŽ11“ú•Ÿ“‡Žs‰¹Šy“°u‘æ1‚O‰ñƒI[ƒPƒXƒgƒ‰EƒtƒBƒ‹ƒWƒbƒqv‰‰‘t‰ï^ŽwŠöF‚‹´—T”V | @ | |
ƒI[ƒPƒXƒgƒ‰‚Ì‚½‚ß‚ÌŒð‹¿ƒ‰ƒt゚ƒ\ƒe゙ƒB[u¼‚©‚çA“Œ‚©‚çv
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Symphonic Rhapsody " from west and east" for Children Orchestra | 2012.04 | 7 min. | 2013iH25”Nj‚RŒŽ‚P“ú[•Ÿ“‡‘åŠwŠÇŒ·Šy’cA¬º‡¥’cA•‘®¬A’†ŠwZ‡“¯‰‰‘t‰ï]•Ÿ“‡Žs‰¹Šy“° | @ | |
u•—‚âv”\ŠÇ‚ÆŽÚ”ª‚É‚æ‚éA“ú–{•‘—x‚Ì‚½‚ß‚É | "To Wind" Music for Japanese Traditional Dance, for No-kan and SHakuhachi | 2012.11 | 14 min. | 2012iH24”Nj‚P‚QŒŽ‚S“úu—SŽq‚̉ïvi“Œ‹žA‰¤Žqƒz[ƒ‹j”\ŠÇF•ŸŒ´“O@ŽÚ”ªF‘P—{Ž› | @ | |
u•—‚Ì‚²‚Æ‚ IIv `ƒI[ƒPƒXƒgƒ‰‚Ìˆ×‚É | " Wie der Wind II " for Orchestra | 2012.103 | 14 min. | 2012”N10ŒŽ30“úi‰Îj@uJFC ƒAƒWƒA‰¹ŠyÕvA•¶‹žƒVƒrƒbƒNƒz[ƒ‹A“Œ‹žiŽwŠöF“ˆ’Õm^“Œ‹žƒtƒBƒ‹ƒn[ƒ‚ƒjƒbƒNŠÇŒ·Šy’cj | @ | |
º‚ÆâÈâÂƑŊyŠí‚Ì‚½‚ß‚Ìw”ÑŠÚ‚ÌŽl‹GEŽl‹åx | Four Haiku, four seasons in IITATE 2012 | 2012..02.05 | 11 min. | 2012”Ni•½¬24”Nj2ŒŽ5“úuƒ~ƒ…[ƒWƒbƒNEƒtƒƒ€EƒWƒƒƒpƒ“‰¹ŠyÕv ºFÂŽRŒbŽq/âÈâÃF’†‘ºm”ü/‘ÅŠyŠíF‰Á“¡‹±Žq |
CDuŒÓ◂̺The Voice of KokavAML records, 2013 | |
ŒÄ‹z‚̃Rƒ~ƒ…ƒjƒP[ƒVƒ‡ƒ“ II (ƒo[ƒWƒ‡ƒ“F♃\ƒj | Breath Communication II for solo Shô | 2011.66 | 10 min. | ƒAƒWƒA“`“ŠyŠí‚̃”ƒBƒ‹ƒgƒD[ƒ]‚ÆYACOB
Young Asian Chamber Orchestra Berlin “úŽžF2011”N6ŒŽ21“ú/’†‘•¶‰»‰ïŠÙ Berlin â™F^“ç®”V |
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uŒÄ‹z‚̃Rƒ~ƒ…ƒjƒP[ƒVƒ‡ƒ“v♂ƃRƒ“ƒsƒ…[ƒ^‚Ì‚½‚ß‚É | Breath Communication for a Shô-player and Computer | 2011.04.02 | 14 min. | 2011”N6ŒŽ5“ú“Œ—m”üpŠÙAƒ_[ƒŒƒ€”üpŠÙ â™F^“ç®”V |
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u‹F‚èvƒI[ƒPƒXƒgƒ‰‚Ƭº‡¥‚É‚æ‚é 3.11kЕœ‹»‹F”O‚Ì‚½‚ß‚É |
INORI Praying for the earthquake disaster reconstruction on March 11. 2011 in Tohoku | 2011.09.01 | 11:40 | 2011”N12ŒŽ26“úu•Ÿ“‡‘åŠwŠÇŒ·Šy’c’èŠú‰‰‘t‰ïƒkЕœ‹»‹F”O„v•Ÿ“‡Žs‰¹Šy“° ŽwŠöj“ˆ’Õm |
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•Ò‹È"Piango, gemo"(Œ´‹ÈFƒrƒoƒ‹ƒfƒB) | Piango, gemo for Orchestra (Arrange) | 2010.13 | 2 min. | 2010”N‚PŒŽ‚R‚O“úuƒI[ƒPƒXƒgƒ‰EƒtƒBƒ‹ƒWƒbƒq@‘æ‚T‰ñ‰‰‘t‰ïv•Ÿ“‡Žs‰¹Šy“°A•Ÿ“‡Žs | @ | |
•Ò‹È"ƒxƒjƒX‚ÌM‰ÌhiŒ´‹ÈFƒƒ“ƒfƒ‹ƒXƒ][ƒ“@u–³Œ¾‰Ìvop.30-6j | Transcription
"Venetian Gondellied" (Mendelssohn: "Lieder ohne Worte" op3-6) |
2010.01.23 | 3 min. | @ | @ | |
uƒAƒ‰ƒxƒXƒNv“ú–{•‘—x‚ׂ̈ÉiŽÂ“J‚ƃtƒ‹[ƒg‚É‚æ‚éj | Arabesque
for Japanese Traditional Dance |
2010.11.01 | 14 min. | 2010 |
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ƒpƒtƒH[ƒ}ƒ“ƒXuÎ`‚R•”ìv‚Ì‚½‚߂̉¹Šy | Music for Performing Arts 'Stone ~3 parts' | 2010.10.01 | 20 min. | @ | @ | |
“ñ‚‚̃tƒ@ƒSƒbƒg‚Ì‚½‚ß‚ÌuƒAƒ‰ƒxƒXƒNv | Arabesque für 2 Fagotten |
2010.08.27 | 12 min. | 2010 |
Hofmeister 2012 | |
΂Ƃ̑Θb | Communication with Stones | 2009.11.23 | 20 min. | 2009”N11ŒŽ23“ú`30“úw‰ª–{‘¾˜Y‚Ì”Ž•¨ŠÙE‚Í‚¶‚߂鎋“_xA•Ÿ“‡Œ§—§”Ž•¨ŠÙA‰ï’ÃA | @ | |
ƒpƒtƒH[ƒ}ƒ“ƒXu΂̌ċzv | Performance "Stone Breath" for live computer | 2009.10.14 | 15 min. | ‚Q‚O‚O‚X”N10ŒŽ18“ú‘ä˜p“dŽq‰¹ŠyÕ2009,@‘ä–kA‘ä˜pŒ|p‰@ƒz[ƒ‹A | @ | |
ƒtƒ@ƒSƒbƒgEƒ\ƒ‚Ì‚½‚ß‚ÌuŽqŽç‰Sv | @ | 2009.04.01 | 3 min. | ‚Q‚O‚O‚X”N‚P‚PŒŽ‚V“úuV‚µ‚¢‰¹Šy‚Ö‚Ì’§ív | @ | |
ƒI[ƒPƒXƒgƒ‰‚Ì‚½‚ß‚ÌuŽqŽç‰Sv | Lullaby for Orchestra | 2009.01.25 | ‚QF‚R‚O | ‚Q‚O‚O‚X”Ni•½¬‚Q‚P”Nj‚PŒŽ‚Q‚T“úƒI[ƒPƒXƒgƒ‰EƒtƒBƒ‹ƒWƒbƒq‘æ‚T‰ñ‰‰‘t‰ïA•Ÿ“‡Žs‰¹Šy“° | @ | |
u΂̑§v ƒRƒ“ƒsƒ…[ƒ^‰¹Šy | Stone
Breath dedicated to Folkmar Hein for his 65. Birthday |
2009.01.14 | ‚X min. | ‚Q‚O‚O‚X”N‚QŒŽ‚P‚S“úCCMC2009,@“Œ‹ž“ú•§Šw‰@AƒGƒXƒpƒXEƒCƒ}[ƒWƒ…A“Œ‹ž |
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ƒpƒtƒH[ƒ}ƒ“ƒXuÎv‚Ì‚½‚߂̉¹Šy | Music for Performing Arts 'Stone' | 2008.01.04 | 25 min. | ‚Q‚O‚O‚W”N‚XŒŽ‚V“úAu‰ï’ÃpƒtƒH[ƒ}ƒ“ƒXEƒtƒFƒXƒeƒBƒoƒ‹vA‚â‚Ü‚Ñ‚±A‰ï’ÃŽO“‡’¬A•Ÿ“‡ | @ | |
•Ò‹ÈuƒWƒ€ƒmƒyƒfƒB[viŒ´‹ÈFƒGƒŠƒbƒNEƒTƒeƒB[uƒWƒ€ƒmƒyƒfƒB[‚P”Ôv | @ | 2008.08.08 | 2 min. | ‚Q‚O‚O‚W”Ni•½¬‚Q‚O”Nj‚WŒŽ‚W“úu•Ÿ“‡‘åŠwŠÇŒ·Šy’cƒTƒ}[EƒRƒ“ƒT[ƒgviŽwŠöF“ˆ’ÕmjC•Ÿ“‡Žs‰¹Šy“° | @ | |
“ú–{•‘—x‚Ì‚½‚߂̉¹Šyu—Ž‰ÔviƒRƒ“ƒgƒ‰ƒoƒXEƒ\ƒ‚É‚æ‚éj | Rakka, Falling Flowers for Japanese Dance for solo Doublebase | 2007.10.01 | 16 min. | ‚Q‚O‚O‚V”N‚P‚QŒŽ‚P‚S“úu—SŽq‚̉ïv‹I”öˆäƒz[ƒ‹i¬jA“Œ‹žAKBFa“üŒhŽO | @ | |
ƒ[ƒtƒBƒƒXEƒ\ƒ‚Ì‚½‚߂̃ƒTƒCƒ“ƒY„ | Signs for Zephuros solo | 2007.08.31 | 15 min. | 2007.9.7. JFCƒAƒ“ƒfƒpƒ“ƒ_ƒ“A“Œ‹žA | @ | |
ŽO–¡ü‚ƃMƒ^[‚Ì‚½‚ß‚ÌuƒVƒ…ƒs[ƒQƒ‹vi‹¾j | Mirror for Shamisen and Guiter | 2007.08.01 | 10 min. | 2007.9.1,uM•Yv‹I”öˆäƒz[ƒ‹i¬jA“Œ‹ž ŽO–¡üF‰z’q‹`”TGuit:“¡–呾˜Y, |
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ƒgƒ‰ƒ“ƒyƒbƒg‚É‚æ‚é“ú–{•‘—x‚Ì‚½‚߂̉¹Šyu‚«‚´‚µv | Signs for Traditional Dance by a trumpeter | 2006.10.01 | 14 min. | 2007 |
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Œð‹¿“I•Ï—eu•—‚Ì‚²‚Æ‚v ƒI[ƒPƒXƒgƒ‰‚Ìˆ×‚É | Symphonic Metamorphose "Wie der Wind"(like the wind) for large Orchestra | 2006.09.01 | 14 min. | 2007 |
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Œ·ŠyƒI[ƒPƒXƒgƒ‰‚Ì‚½‚ß‚Ìu‚Q‚‚̃V[ƒ“v | 2 Scenes for String Orchestra | 2006.07.09 | 16 min. | 2006”N‚VŒŽ‚X“úƒuƒƒcƒƒtŽº“àŠy‰¹ŠyÕAƒuƒƒcƒƒtu•ŠíŒÉ”Ž•¨ŠÙviƒ|[ƒ‰ƒ“ƒhjAƒuƒ‰ƒ`ƒXƒ‰ƒrƒAŽº“àƒAƒ“ƒTƒ“ƒuƒ‹ | @ | |
2l‚̃”ƒBƒuƒ‰ƒtƒHƒ“‘tŽÒ‚Ì‚½‚ß‚Ìu¯„‚è@IIv | Roaming Stars II for 2 Vibraphone Players | 2005.10.01 | 14 min. | 2005.12.15,
u—SŽq‚̉ïv“ú–{•‘—xF¼ì—SŽqA Vib: ã–ìMˆêA¬–“^—R”ü |
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Œ·Šy‚Ì‚½‚ß‚Ìu©‚È–é‚Év | In a silent night for String Orchestra | 2005.09.01 | 9 min. | 2005”N12ŒŽ23“úuƒNƒŠƒXƒ}ƒXEƒRƒ“ƒT[ƒgv•Ÿ“‡Žs‰¹Šy“°AŽwŠöj“ˆ’Ã^ƒAƒ“ƒTƒ“ƒuƒ‹‚Ó‚‚µ‚Ü |
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Œ·ŠyƒI[ƒPƒXƒgƒ‰‚ׂ̈ÌuƒAƒ_[ƒWƒ‡v@@ --ƒOƒ‰ƒ“ƒhEƒ[ƒ‚ÌlX‚ւ̃Gƒsƒ^[ƒt |
Adagio
for String Orchestra ~Epithaph for the people of the Ground-Zero |
2004.12.11 | 8 min. | 2004.12.11. uƒIƒ‹ƒKƒ“‚ÆŽº“àŠy‚Ì—[‚×v•Ÿ“‡Žs‰¹Šy“°/ŽwŠöF‚‹´—T”V | @ | |
u‘¾—z•—v‰f‘œ‚ƃRƒ“ƒsƒ…[ƒ^‰¹Šy‚É‚æ‚é | hSolar Windh for Audio-Visual media | 2004.08.21 | 43 min. | 2004”N8ŒŽ21“úuƒnƒEƒ‹@ƒtƒFƒXƒeƒBƒoƒ‹vAƒt[ƒWƒ‡ƒ“ƒA[ƒcƒ~ƒ…[ƒWƒAƒ€Aƒjƒ†[ƒˆ[ƒNAUSA | @ | |
ƒ‚ƒ_ƒ“ƒ_ƒ“ƒXuƒ}ƒCEƒ`ƒF[ƒzƒtv‚ׂ̈̉¹Šy | Music for Modern dance "My Chekhov" | 2004.08.16 | 55 min. | 2004”N9ŒŽ9“ú`12“úu•‡“ñŽOŽ}ŽqŒ»‘ã•‘—xŒö‰‰vƒA[ƒgƒtƒŒƒbƒNƒXA“V‰¤FƒAƒCƒ‹A“Œ‹ž | @ | |
‹àŠÇƒAƒ“ƒTƒ“ƒuƒ‹‚Ì‚½‚ß‚ÌuƒAƒxEƒ}ƒŠƒAviŒ´‹ÈƒJƒbƒ`[ƒjì‹Èj | Ave
Maria for Blass Ensemble (org. composed by Guilio Caccini) |
2004.07.25 | @ | 2004”N‚WŒŽ‚Q‚W“úƒAƒ“ƒTƒ“ƒuƒ‹u”òãÄv’èŠúŒö‰‰A•Ÿ“‡Žs‰¹Šy“°i¬j | @ | |
“ñl‚ÌŽO–¡ü‘tŽÒ‚Ì‚½‚ß‚Ìu‚Ý‚¿‚Âêv | Michi-Zure,
A Journy accompanied for 2 Sangen-Players |
2004.05.23 | 11 min. | 2004”N‚UŒŽ‚P‚T“úwM•Kx‹I”öˆäƒz[ƒ‹i¬j | @ | |
Ž™“¶‡¥‚ƃ`ƒFƒAƒsƒAƒm‚Ì‚½‚ß‚Ìs—c‚«–½‚Ö‚Ì•æ”è–¼tuMAMAvAu‚¢‚Ì‚èv | Epitaph for little life for children Chorus, Cello and Piano | 2003.1.22 | 20 min. | 2004”N‚XŒŽ‚P‚Q“úu•Ÿ“‡Žs”N—‡¥’c‘æ‚T‰ñ’èŠú‰‰‘t‰ïx•Ÿ“‡Žs‰¹Šy“°iŽwŠöFr»Žq^ƒ`ƒFƒF‹à’J¹Ž¡j...‘æ‚P‹ÈwMAMAx‚̂݉‰‰B |
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u¯„‚胎Wi‚³‚ñj„vV—…‹Õi•œŒ³ŠyŠíj‚É‚æ‚é | SAN - Roaming Stars for Shiragi-Koto | 2003.12.14 | 13 min. | 2004”N12ŒŽ14“úw—SŽq‚̉ïx@V—…‹Õ:’|àV‰xŽq | @ | |
À‚t ƒoƒCƒIƒŠƒ“ƒ\ƒ‚Ìˆ×‚É |
A spring passed away for Violin solo | 2003.12.11 | 13.30 | w—SŽq‚̉ïx2003.12.11.‹I”öˆäƒz[ƒ‹i¬j violin)b”ãŽjŽq |
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ƒ‚ƒ_ƒ“ƒ_ƒ“ƒX‚Ì‚½‚߂̉¹Šyu—Î@@‚»‚ê‚Í–½v | Green -it's life for modern dance | 2003.11.04 | 23 min. | 2003”N‚P‚PŒŽu•‡“ñŽOŽ}ŽqŒ»‘ã•‘—xŒö‰‰vƒA[ƒgEƒXƒtƒBƒAA“V‰¤FƒAƒCƒ‹ | @ | |
‚¢‚¢‰ÁŒ¸‚ȑΊpü II
2003 “ú–{•‘—x‚Æ13Œ¼A17Œ¼âµ‚ƃtƒ‹[ƒgAƒRƒ“ƒsƒ…[ƒ^‚»‚µ‚ÄBBB ‚ÌŠÔ‚É•`‚ |
@ | 2003.03.08 | 14 min. | 2003”N5 |
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ƒoƒbƒnƒi[ƒŒ@‚R |
Bachnale for 3 Cellists | 2003.01.18 | 5 min. | ‚Q‚O‚O‚R”N‚RŒŽ‚Q“ú‹à’JƒAƒ“ƒTƒ“ƒuƒ‹ | @ | |
•—‚ÌÕ@---“ú–{•‘—x‚Æ17Œ¼ƒ\ƒ‚Ìˆ×‚É | @ | 2002.09.25 | 14 min. | 2002”N12ŒŽ11“ú,“ú–{•‘—xu—SŽq‚̉ïv @@@‹I”öˆäƒz[ƒ‹A“Œ‹ž @@@•‘—xj¼ì—SŽqA17Œ¼j‰ÍŒ´´Žq |
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•‘—x‰¹Šyu‘¾—z•—v | Solar
Winds Music for Modern dance |
2002.08.15 | 41 min. | 2002 |
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‰ß‚¬‚µ“ú‚ÌŽv‚¢o`ƒsƒAƒmƒ\ƒ‚Ì‚½‚ß‚É | reminiscent of days gone by for Piano solo | 2002.01.08 | 6:30 | 2002 |
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•‘—x‰¹Šyu”gv2001 | NAMI 2001--- music for modern dance | 2001.09 | 42 min. | 2001”N‚XŒŽ‚P‚T“úu•‡“ñŽOŽ}Žq•‘—x’cŒö‰‰v“V‰¤BƒAƒCƒ‹A“Œ‹ž | @ | |
¼•½—Š‹ÅŽ‚̌Êó‚É•ù‚°‚és Sixty seconds for YRAK t | Sixty seconds for YRAK for a Double-Bassist | 2001.08.12 | ‚P min. | 2001.10.5 | @ | |
‚¢‚¢‰ÁŒ¸‚ȑΊpü II 13Œ¼âµ‚ƃtƒ‹[ƒgA‚»‚µ‚ăRƒ“ƒsƒ…[ƒ^‚Æ•‘—x‚ÌŠÔ‚É•`‚ |
Fuzzy Diagonals II | 2001.02 | 12 min. | 2001”N2ŒŽ17“úi“yju‚¢‚¢‰ÁŒ¸‚ȑΊpü IIvƒVƒAƒ^[X | @ | |
—ë“x‚ÌŽvl |
A Thought at Zero degree for Japanese Dance | 2001.02 | 8.37 | 2001”N 9ŒŽ ƒVƒ^ƒ^|xA—¼‘^“Œ‹ž | @ | |
—ë“x‚ÌŽvl II`ƒNƒ‰ƒŠƒlƒbƒgƒ\ƒ‚Ì‚½‚ß‚É | A Thought at 0Bfor Clarinet solo | 2001.02 | 7 min. | 2001 |
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ƒ_ƒ“ƒXƒtƒFƒXƒeƒBƒoƒ‹2000‚Ì‚½‚߂̉¹Šy | Music for Dance festival 2000 | 2000.08.11 | ‚P‚V min. | 2000”N‚XŒŽ16“ú/17“úƒVƒAƒ^[Xi‘Ûƒ_ƒ“ƒXƒtƒFƒXƒeƒBƒoƒ‹2000j | @ | |
“y‚Ì–À‹{B@13Œ¼‘tŽÒ‚Æ17Œ¼‘tŽÒ‚Ìˆ×‚É i’r“c–žŽõ•v‚Ì“¯–¼‚Ìì•i‚̃Cƒ[ƒW‚©‚çj |
Ceramic
Labyrinth B for a 13-gen and a
17-gen Koto Players imaged from the last work of M.Ikeda |
2000.04 | 12 min. | 2000.05.20A•Ÿ‰ª‚ ‚¢‚ê‚Óƒz[ƒ‹@13-gen)‰ÍŒ´”ºŽqA17-gen)‹e’n’îŽq | @ | |
w‹¶‹C‚Ì\‘¢x‚Ql‚̃sƒAƒjƒXƒg‚Ìˆ×‚É | Mad Structures for 2 pianists | 2000.01 | @ | 2000.03.17A“Œ‹žƒIƒyƒ‰ƒVƒeƒBAƒŠƒTƒCƒ^ƒ‹ƒz[ƒ‹uŒ»‘ã‚̉¹Šy“W2000v Pf) •“cˆŸŽ÷^’†‘º˜aŽ} |
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ƒ‰EƒtƒHƒŠƒA@III@[‹¶‹C‚Ì‚È‚©‚Ö[iƒtƒ‹[ƒgAƒNƒ‰ƒŠƒlƒbƒgAƒoƒCƒIƒŠƒ“Aƒ`ƒFƒAŠe‘tŽÒ‚Ì‚½‚ß‚Éj | La
Follia III into a
madness for a Flutist, a Clarinetist , a Violinist and a Cellist |
1999.03.17 | ca. 18 min. | 1999”N3ŒŽ17“úi…jA’Ócƒz[ƒ‹AŒ»‰¹uŽº“àŠy‚Ì¡vA |
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‹àŠÇŒÜd‘t‚Ì‚½‚߂̉¹Šy ’r“c–žŽõ•v‚Ìâìu”ü–e‚Ì‹óv‚ÉŠñ‚¹‚Ä |
Music
for Blass Quintet from "Good-Looking Blue Sky" by the late Masuo Ideka |
1999.03.01 | 10 min. | ‚Q‚O‚O‚O |
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ƒ‰@ƒtƒHƒŠƒA ƒjƒ…[ i‹¶‹C‚ÌŒ`Ž®j |
La Follia NEW a form of madness | 1998.08.31 | 14:20 min. | Realized at the studio INA-GRM, Radio-France, Paris, france | @ | |
uƒ‰ƒtƒNƒ‰ƒCvƒVƒ“ƒoƒ‹‘tŽÒ‚Æ“dŽq‰¹‹¿‚Ì‚½‚ß‚É | LAUGHCRY for a Cymbal-player and Tape and live electronic | 1998.08.21 | 16:03 min. | 1998”N9ŒŽ26“úuƒ~ƒ…[ƒWƒbƒNEƒRƒ“ƒNƒŒ[ƒg50”NvParochial kirche/Berlin | @ | |
ƒ‰@ƒtƒHƒŠƒA II ‹¶‹C‚Ö‚Ì—U‚¢ |
La
Follia II Invitaion to madness for a Flutist and Tape and live electronic |
1998.04.02 | 14:10 min. | 1998”N‚TŒŽ‚Q‚Q“úƒU[ƒ‹ƒuƒŠƒ…ƒbƒPƒ“AFl)Camille
Hoitenga ¡2000.6.20. Neuw Japanishe Floetenmusik, |
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‚S–{‚̃zƒ‹ƒ“‚ƃ`ƒ…[ƒo‚Ì‚½‚߂̉¹Šy ’r“c–žŽõ•v‚Ìâìu”ü–e‚Ì‹óv‚ÉŠñ‚¹‚Ä |
Music
for four Horns and Tuba from "Good-Looking Blue Sky" by the late Masuo Ideka |
1997.12.10 | 10 min. | 2000.1.12uƒ~ƒ…[ƒWƒAƒ€EƒRƒ“ƒT[ƒgv’r“c–žŽõ•v”üpŠÙ | @ | |
ƒ‰@ƒtƒHƒŠƒA i‹¶‹C‚ÌŒ`Ž®j |
La
Follia a form of madness |
1997.08.15 | 9:50 min. | ‚P‚X‚X‚V”N‚P‚OŒŽ‚Q‚R“úuƒŒƒNƒ`ƒƒ[EƒRƒ“ƒT[ƒg@ƒRƒ“ƒsƒ…[ƒ^EƒTƒEƒ“ƒY‚ÌÕ“Tv“Œ‹ž“ú•§Šw‰@A“Œ‹ž | @ | |
ⵂ̊G–{ ‚³‚ ‚ç‚Ì‚P“ú |
A day with my Saarah A Sketch Book for 13-gen Koto | 1997.06.03 | 10 min. | ˆê•”‰‰‰Fâµj‚½‚©‚¾—¢ | @ | |
w‰¹ŠyŠG–{s“VŽg‚Ì‚P“útx | A Music Sketchbook "A Day of an Engel" | 1997.06.03 | @ | ƒsƒAƒmF’†”¨@~@
˜N“ÇF’|àV@‰Ã–¾ sŽl‚‚̕—‚̉¹ŠyÕt•Ÿ“‡Žs‰¹Šy“°‘åƒz[ƒ‹, 2003”N‚RŒŽ‚Q‚U“úi…j |
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–²‚Ì‚Ü‚½–²@II 13Œ¼âµ‚Ì‚½‚߂̉¹Šy |
A Dream after Dreams II for 13-gen Koto | 1997.01.23 | 10 min. | 1997”N‚TŒŽ‚P‚V“úu‰ÍŒ´”ºŽq@ⵃŠƒTƒCƒ^ƒ‹v•Ÿ‰ª | @ | |
–²‚Ì‚Ü‚½–² s•‘“¥Œ¶Ž‹t‚Ì‚½‚߂̉¹Šy |
A Dream after Dreams or Butoh Gen-Shi | 1996.09.08 | 60 min. | 1996”N‚XŒŽ8“úƒ_ƒ“ƒXƒtƒFƒXƒeƒBƒoƒ‹qPAN‚̃A[ƒeƒBƒXƒg‚½‚¿r‚©‚çAƒVƒAƒ^[X, —¼‘ | @ | |
•Ÿ“‡‘‘Ìi“~AƒXƒL[j‚ÌW’c‰‰‹Z‚ׂ̈̉¹Šy “~‚©‚çt‚ÖA‚»‚µ‚ĉĂ©‚çH‚Ö |
Music
for Koku-Tai from Winter to Spring and from SUmmer to Autumn |
1996.02 | 20 min. | 1996”N‚QŒŽ‚P‚V“ú’–•c‘㬊wZ | @ | |
ƒŒƒNƒCƒGƒ€@II | Requiem II for a Saxphonist, Tape and live Computer | 1995.09 | 15.25 min. | 1995”N11ŒŽ2“ú_ŒËƒW[ƒxƒbƒNƒz[ƒ‹ASax)•½“c‰p“ñ |
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ƒXƒg[ƒ“EƒT[ƒNƒ‹ ΂̉¹‹¿’¤‚Æ‘ÅŠyŠí‘tŽÒAŽO–¡ü‘tŽÒ‚ƃRƒ“ƒsƒ…[ƒ^§Œä‚É‚æ‚éVP1‚Ìˆ×‚É |
Stone Circle for Sound sculptures, percussionist, 3-gen player and VP‚P controlled by a computer | 1994.11 | ca. 30 min. | ‚P‚X‚X‚S”N‚P‚PŒŽ‚Q“úAu΂ÌÕ“TvAç—t–‹’£ƒƒbƒZ ‘ÅŠyŠíFã–ìMˆê ^@ŽO–¡üF¼ŠƒºŽq ƒRƒ“ƒsƒ…[ƒ^F“ˆ’Õm |
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ƒCƒŠƒ…[ƒWƒ‡ƒ“ƒY@II for UPIC solo |
Illusions II for UPIC | 1994.1 | 12 min. | @ | @ | |
ƒCƒŠƒ…[ƒWƒ‡ƒ“ƒY@uŒ¶‰e@`–²‚͌͂ê–ì‚ðv | Illusions
in desolated fields for a Sangen-player and UPIC |
1994.09.01 | 15 min. | ‚P‚X‚X‚S”N‚P‚QŒŽ‚Q“úAƒIƒŠƒrƒGEƒƒVƒAƒ“Eƒz[ƒ‹A @@@ƒ‰ƒWƒIEƒtƒ‰ƒ“ƒXAƒpƒŠAŽO–¡üj‚“c˜aŽq |
CD:Xenakis, UPIC, Continuum,Mode,NY | |
wŽž‹ó‚̃^ƒu[x ‚P‚VŒ¼âµ‚ƃ‰ƒCƒuEƒRƒ“ƒsƒ…[ƒ^‰¹ŠyƒVƒXƒeƒ€‚Ìˆ×‚É |
Taboo
on a space-time for 17gen-Koto and live computer system |
1994.09 | ca.15 | ‰‰‰F‚P‚X‚X‚S”N10ŒŽ25“úA“Œ‹ž‚e‚lƒz[ƒ‹ |
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w‹óŠÔ‚Ì‹Z–@xƒIƒ‹ƒKƒ“‚ƃRƒ“ƒgƒ‰ƒoƒX‚Ìˆ×‚É |
Art of the space | 1994.07.06 | 12:47 | ‰‰‰F‚P‚X‚X‚S”N‚VŒŽ‚P‚T“ú•Û“c‹IŽqƒIƒ‹ƒKƒ“Vì“WIV @@@ƒUEƒn[ƒ‚ƒj[ƒz[ƒ‹^¼–{AOrg)•Û“c‹IŽqACb)a“üŒhŽO |
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w‚¢‚¢‰ÁŒ¸‚ȑΊpüx@ ‚P‚VŒ¼‚ÆŽF–€”ú”iA‚»‚µ‚ăsƒAƒm‚ƃRƒ“ƒsƒ…[ƒ^‚ÌŠÔ‚É•`‚ |
Fuzzy
Diagonals drawn between 17-gen Koto, Satsuma-Biwa, Piano and Computer |
1994.05.15 | 11 min. | ‰‰‰F‚P‚X‚X‚S”N‚TŒŽ‚P‚W“úw‚¢‚¢‰ÁŒ¸‚ȑΊpüx @@@ƒVƒAƒ^[‚˜AŽF–€”ú”ijã“cƒŽq ‚P‚VŒ¼âµj‚“c—¢AƒsƒAƒmj“ˆ’Ö¾”üAƒRƒ“ƒsƒ…[ƒ^j“ˆ’Õm |
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Œ·ŠyƒI[ƒPƒXƒgƒ‰‚Ì‚½‚ß‚ÌuƒcƒŠ[v | "TREE" for String Orchestra | 1994.05.01 | ca. 10 min. | @ | @ | |
w’B–‚³‚ñ‚ªEEEEH@-II-@x ƒtƒ‹[ƒeƒBƒXƒg‚ƃMƒ^ƒŠƒXƒgA‚»‚µ‚Ä‘ÅŠyŠí‘tŽÒ‚Ìˆ×‚É |
Is Mr. Dharma .... - II - | 1994.04 | 9 | ‰‰‰F‚P‚X‚X‚S”N‚UŒŽ‚S“úƒPƒ‹ƒ“AFl)Camille Hoitenga | @ | |
‰ƒi‚¤‚½‚°j ƒ_ƒ“ƒT[‚Æ‚U‘ä‚̃JƒZƒbƒgƒŒƒR[ƒ_[‚Ìˆ×‚É |
Feast for a dancer and 6 cassett-players | 1994.03 | 17'30 | Version)ƒ_ƒ“ƒT[‚Æ‚U‘ä‚̃JƒZƒbƒgƒvƒŒ[ƒ„[‚Ìˆ×‚É ‰‰‰F‚P‚X‚X‚S”N‚RŒŽ‚Q‚S“ú |
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›~¢ @ ƒsƒAƒm‘tŽÒ‚ƃ‰ƒCƒuEƒRƒ“ƒsƒ…[ƒ^‰¹ŠyƒVƒXƒeƒ€‚Ì‚½‚ß‚É |
›~¢ @for a pianist and live computer Music System | 1993.08 | 18 min. | ‰‰‰F‚P‚X‚X‚R”N‚P‚OŒŽ‚T“úA•g‘½—ߎqƒsƒAƒmƒŠƒTƒCƒ^ƒ‹AƒTƒ“ƒgƒŠ[Eƒz[ƒ‹i¬j | @ | |
wŒ´“_‚©‚çx ‚P‚VŒ¼âµ‘tŽÒ‚ƃRƒ“ƒsƒ…[ƒ^‰¹ŠyƒVƒXƒeƒ€‚Ì‚½‚ß‚É |
"From Origin Point" for a 17-gen Koto-Player and Computer Music System | 1992.11 | @ | ˆÏú‰‰‰F1992”N12ŒŽ10“ú@‹e’r’îŽq‚P‚VŒ¼âµ‚É‚æ‚郊ƒTƒCƒ^ƒ‹,“Œ‹ž•¶‰»‰ïŠÙ¬ƒz[ƒ‹
A17Œ¼)‹e’r’îŽq |
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"Territory III" ƒsƒAƒm‘tŽÒ‚ƃRƒ“ƒsƒ…[ƒ^‚É‚æ‚é |
Territory III for a pianist and live computer music system |
1992.1 | @ | ‚P‚X‚X‚Q”N‚P‚PŒŽ‚R“ú“ú–{“dŽq‰¹Šy‹¦‰ï@‘æˆê‰ñ’èŠú‰‰‘t‰ï@‹âÀ\Žš‰®ƒz[ƒ‹APf)“ˆ’Ö¾”ü |
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‰¹‰¿‚Æ‹“x‚ÆŽ‹Šo‚Ì”÷וω»‚𔺂¤‹óŠÔ‚É@ ˆê ‚à‚Ì‚Å‚¡‚uˆê |
In
a space,changing minimally the value,the intensity and the vision ---MONODIE V---" for a Pianist |
1992.08 | @ | ‰‰‰F‚P‚X‚X‚Q”N‚XŒŽ‚P‚P“ú@ua’JiŽqƒsƒAƒmƒŠƒTƒCƒ^ƒ‹v“Œ‹ž•¶‰»‰ïŠÙ¬ƒz[ƒ‹AˆÏú‰‰‰APf)a’JiŽq |
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Void main ŽÚ”ª‘tŽÒ‚ƃRƒ“ƒsƒ…[ƒ^‰¹ŠyƒVƒXƒeƒ€‚Ì ƒCƒ“ƒ^ƒ‰ƒNƒeƒBƒu‚È¢ŠE‚ð‹‚ß‚Ä |
Void Main in quest of the interactive world between a Shakuhachi-Player and a computer music system | 1992.06 | @ | 1992”N7ŒŽ21“úu‰¹‚ÌŽÀŒ±ƒRƒ“ƒT[ƒg[“dŽqŠyŠíE‹@Ší‚̉”\«‚ð‹‚ß‚Ä[v–‹’£A•ú‘—‹³ˆçŠJ”ƒZƒ“ƒ^[Eƒz[ƒ‹@Shaku)ŽR–{–MŽR |
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‰Ì‹ÈWw‘Ίpüx | Diagonal
Line@ for SOP, 13-gen Koto and Shakuhachi@ |
1992 | @ | 1992”N10ŒŽ18“úu]ì‚«‚ʃŠƒTƒCƒ^ƒ‹v‚©‚‚µ‚©ƒVƒ“ƒtƒHƒj[ƒz[ƒ‹EƒAƒCƒŠƒXƒz[ƒ‹, M-Sop)]ì‚«‚Ê@13gen)–öˆä”ü‰Á“Þ Shaku)“c•ÓèñŽR | @ | |
w—ÕŠE“_x@‚Sl‚Ì‘ÅŠyŠí‘tŽÒ‚Ìˆ×‚É | Critical Point for 4 percussionists | 1992 | 14 min. | 1993”N10ŒŽ17“ú`Academy of permorming Arts, Musicarama,` | @ | |
"Grand and
Sky" ƒrƒfƒIEƒpƒtƒH[ƒ}ƒ“ƒX‚Ì‚½‚߂̉¹Šy |
GRAND
AND SKY Live Performance Music |
1991.11 | @ | ‚P‚X‚X‚P”N‚P‚PŒŽ‚X“ú@...‚Q‘ä‚̃Rƒ“ƒsƒ…[ƒ^‚É‚æ‚é@ƒMƒƒƒ‰ƒŠ[ƒgƒ€^“Œ‹žAVideo)”Ñ‘º—²•F | @ | |
w‚¾‚é‚Ü‚³‚ñ‚ªEEEEx ‚R–{‚ÌŽÚ”ª‚Ì‚½‚ß‚É@ |
"Daruma-sa ga" | 1991.09 | @ | ‰‰‰A‚P‚X‚X‚P”N‚XŒŽ‚P‚O“úuˆ¢ŽšŠÏƒRƒ“ƒT[ƒgv@ ŽOŒ¬’ƒ‰®ƒXƒ^ƒWƒI‚‚‚“AShaku)›Œ´‹vm‹`A’†‘º–¾ˆêA‹g‰ª—´Œ© |
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"MONODIE VIa"@‘ÅŠyŠí‘tŽÒ‚Æ‚t‚o‚h‚b‚Ìˆ×‚É | Monodie for a percussionist and UPIC | 1990.09 | @ | 30.Nov.1992,"Portrait de Iannis Xenakis", Radio France/Paris, Perc)Michael Pugliese | @ | |
s‚«s‚«‚Ä c‚ ‚éŒ|p‰Æ‚ÌŽ€o‚Ì—· |
YUKI-YUKI-TE@for Noh,Butoh and 17-gen Koto and Computer | 1990.09 | 60 min. | ‰‰‰F‘ÛŒ»‘㉹Šy‹¦‰ïISCMu¢ŠE‰¹ŠyÕ90vƒIƒXƒ |
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"MONODIE VI"@‚t‚o‚h‚b‚Ìˆ×‚É | Monodie VI for UPIC | 1990.08 | @ | @ | @ | |
‚à‚Ì‚Å‚¡IV ƒ†ƒsƒbƒN‚Ìˆ×‚É | Monodie IV for UPIC | 1990.08 | @ | ‰‰‰F‚P‚X‚X‚O”N‚VŒŽƒ}ƒbƒV[AƒAƒgƒŠƒGUPIC |
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DON-DON ‚P‚VŒ¼âµ‚ƃRƒ“ƒsƒ…[ƒ^‚Ìˆ×‚É |
DON DON for 17-gen Koto and Computer | 1990 | 15 min. | ‰‰‰F1990ut‚ÌŒ»‰¹v‰¹—Fƒz[ƒ‹A‚P‚VŒ¼j‹e’n’îŽq |
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ƒAƒŠƒX‚Ì–² Œ€’cDAM‚ׂ̈̉¹Šy |
Dream
of Alice for Theatre-group DAM |
1990 | @ | ‰‰‰F1990Œ€’cDAMŒö‰‰ | @ | |
w•—‚̉¹EŽž‚̉¹xƒsƒAƒm‚ƃRƒ“ƒsƒ…[ƒ^‚É‚æ‚é | Sound of Wind, Sound of Time for Piano and Computer | 1990 | @ | ‰‰‰A‚RŒŽ‚Q“ú“Œ–k‚Ìì‹È‰Æ'91
In Fukushima@ •Ÿ“‡Œ§•¶‰»ƒZƒ“ƒ^[¬ƒz[ƒ‹APf+Computer)“ˆ’Ö¾”ü |
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CATVuƒA[ƒeƒBƒXƒeƒBƒbƒNEƒrƒWƒ‡ƒ“v‚ׂ̈̉¹Šy | Titling
& Ending from 'Artistic Vision' for CATV |
1989.05.01 | 2 min. | ï˙ëóÅF•½¬Œ³”N‚SŒŽ[‚P‚OŒŽA•¶‹ž‹æCATV,u’kŽÐ | @ | |
¬Î‚Ì‚²‚Æ‚ ƒIƒ‹ƒKƒ“Eƒ\ƒ‚Ìˆ×‚É |
Like a small stone for a Pipe Organ solo | 1989.09.03 | 15:08 | 1989”N10ŒŽ24“ú΋´ƒƒ‚ƒŠƒAƒ‹Dƒz[ƒ‹ @@@@Org:Noriko Yasuda |
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w‚±‚±‚ë‚È‚«xw‚ ‚¯‚Ê‚Æ‚Äx º‚Æ‚P‚RŒ¼âµ‚ÆŽÚ”ª‚É‚æ‚é |
"Kokoronaki""Akenutote" | 1989 | @ | @ | @ | |
‰¹‚Ì‚ ‚Æ‚ÉiƒNƒxƒŒ<ò> II) `ƒn[ƒvEƒ\ƒ‚Ìˆ×‚É | After the sounds (Quelle II) | 1989 | @ | @ | DVfM 8053x | |
SAISHIKI
X+Y Prolog und Metamorphose(Prom) |
@ | 1988.09 | @ | ‰‰‰FuÊF‰¹Šy“WvƒXƒ^ƒWƒI‚Q‚O‚O |
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ƒIƒuƒWƒF‰»‚µ‚½ƒsƒAƒm‚É‚æ‚éu—̈æ IIv | TERRITORY II by an objectified piano | 1988.05 | 18 min. | ‰‰‰F‚P‚X‚W‚W”NISCM
Hong Kong Pf)²“¡–¾”ü |
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ƒNƒxƒŒ<ò> ‚P‚VŒ¼âµ‚Ìˆ×‚É | @ | 1988.02 | @ | @ | DVfM 8053x | |
‰~ŠÂII...˜A‘±‚Æ•s˜A‘±‚ÌŒ` | ROUND II...a form among continuity and discontinuity | 1988.01 | 13:32 | ‰‰‰‚P‚X‚W‚W”N‚RŒŽ‚P‚P“úŒ»‰¹A“Œ‹ž BF)Hitomi Endo, Vc)Masahara Kanaya, Hp)Ayako Shinozaki |
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ƒ”ƒHƒCƒX ŽÚ”ª‚ƃVƒ“ƒZAƒRƒ“ƒsƒ…[ƒ^‚Ì‚½‚ß‚É |
Voice for Shakuhachi and Synthesizer, Computer | 1988 | 15 min. | ‰‰‰Fu‘¦‹»‚·‚鉹Šyƒ}ƒVƒ“vƒXƒ^ƒWƒI‚Q‚O‚OA @@@ŽÚ”ªj‰““¡ˆê–¤ |
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w΋´ II
x@---ˆÙ‚Ȃ颊E‚ÌŠÔ‚Å--- \ŽµŒ¼âµ‚Ìˆ×‚É |
SHAKKYOH II | 1988 | @ | 1988”N11ŒŽ7“úA17-gen)‹e’r’îŽq | ŽóÜF•¶‰»’¡•‘‘äŒ|p‘n짗ãÜ“Á•ÊÜ | |
–œ‰Ø‹¾ uƒXƒy[ƒX‚Ìòv‚ׂ̈̉¹Šy |
Mangekyo
(Kaleidoscope) for Video Installation 'A spring of Space' |
1987.08 | @ | ‰‰‰F1987”N‚WŒŽƒpƒtƒH[ƒ}ƒ“ƒXƒtƒFƒXEƒCƒ“EƒqƒmƒGƒ}ƒ^Aƒ”ƒBƒfƒIjƒqƒOƒ}t’j | @ | |
u‚ä‚炬viƒRƒ“ƒsƒ…|ƒ^‚ׂ̈Éj | YURAGI for a computer and MIDI-System | 1987.07 | 15 Min. | ‰‰‰F‚P‚X‚W‚V”N‚VŒŽ‚P‚V“ú ƒTƒEƒ“ƒhEƒtƒ@ƒNƒgƒŠ|‹îž |
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‰ƒi‚¤‚½‚°jII ‚U‘ä‚̃JƒZƒbƒgƒŒƒR[ƒ_[‚Ìˆ×‚É |
Feast II..for 6 cassett-players | 1987.07 | 7 min. | Version)‚U‘ä‚̃JƒZƒbƒgƒvƒŒ[ƒ„[‚ׂ̈ÉiƒpƒtƒH[ƒ}ƒ“ƒXjAwƒpƒtƒH[ƒ}ƒ“ƒXEƒtƒFƒXƒeƒBƒoƒ‹EƒCƒ“EƒqƒmƒGƒ}ƒ^x | @ | |
‰ƒi‚¤‚½‚°jI ...‰‰Œ€uƒTƒ“ƒNƒ`ƒƒƒŠ[v‚ׂ̈̉¹Šy‚æ‚è |
Feast I...from a music for a Theater of DA.M | 1986.11 | 7 min. | ‰‰‰‚P‚X‚W‚U”N‚P‚QŒŽ‚P‚Q-‚P‚T“ú T2ƒXƒ^ƒWƒIi“Œ‹žj |
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‚Uº‚̃Šƒ`ƒFƒ‹ƒJ[ƒŒ iu‰¹Šy‚Ì•ù‚°‚à‚Ìv‚©‚çj |
@ | 1986.1 | 8 min. | ‰‰‰:‚P‚X‚W‚U”N‚P‚QŒŽ‚P‚P“ú •Ÿ“‡Œ§•¶‰»ƒZƒ“ƒ^[i¬ƒz[ƒ‹jAPf)²“¡–¾”ü^—é–Ør] |
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•ù‚°•¨ II ... ‚Q‘äƒsƒAƒm‚Ìˆ×‚É |
The Offering II for 2 Pianos | 1986.1 | 17 min. | ‚P‚X‚W‚U”N‚P‚QŒŽ‚P‚P“ú‰‰‰ •Ÿ“‡Œ§—§•¶‰»ƒZƒ“ƒ^[¬ƒz[ƒ‹APf)²“¡–¾”ü / —é–Ør] |
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ƒAƒ‹ƒSƒŠƒXƒ~ƒbƒNEƒtƒB[ƒ‹ƒh | An Algorithmic-field | 1986.08 | 45 min. | ‰‰‰:‚P‚X‚W‚U”N‚WŒŽ‚Q‚R“ú “ˆ’Õm{‚c‚r‚eA‰ï’ÕOŽ}‘º^•Ÿ“‡Œ§ |
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΋´ [ˆÙ‚Ȃ颊E‚ÌŠÔ‚É[ | Shakkyo(Stone Bridge)...between the confronting world | 1986.07 | 15 min. | ‰‰‰:‚P‚X‚W‚U”N‚P‚OŒŽ‚P‚P“ú Koto)‹e’n’îŽqA“Œ‹ž•¶‰»‰ïŠÙ¬ƒz[ƒ‹ |
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ŒÃ’r‚É‚Ä | At an old pond for piano | 1986.05 | 15 min. | ‰‰‰F1986”N9ŒŽ8“úƒoƒŠƒIEƒz[ƒ‹(
“Œ‹ž) Pf)²“¡–¾”ü |
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ƒRƒ“ƒv ‚P‚U-‚P‚W | Comp
16-18 for 2 Personal Computers with PSG Sound-Board as a music-installation |
1986 | 15 min. | ‰‰‰:‚P‚X‚W‚T”N‚P‚QŒŽ‚R“ú
]“Œ‹æ•¶‰»ƒZƒ“ƒ^[iƒŒƒNEƒz[ƒ‹j ‰ü’ù‰‰‰:‚P‚X‚W‚U”N‚XŒŽ‚P‚X“úuƒGƒ‹EƒTƒEƒ“ƒh‚W‚Uv‚j‚‚—‚‚‰ƒTƒEƒ“ƒhƒVƒe² Ea’J |
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wˆê•Ð‚Ì•—Œix ƒrƒIƒ‰Aƒtƒ‹[ƒgAƒsƒAƒm‚ÆŽwŠöŽÒ‚Ì‚½‚ß‚É |
" A Piece of landscape " | 1986 | @ | ‰‰‰F‚P‚X‚W‚V”NA‹ËŽRƒ_ƒ“ƒXEƒŠƒTƒCƒ^ƒ‹ |
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ƒAƒXƒtƒ@ƒ‹ƒgEƒoƒrƒƒ“ | Asphalt-Babylon | 1985.11 | 60 min. | ‰‰‰:‚P‚X‚W‚T”N‚P‚QŒŽ‚R“ú ]“Œ‹æ•¶‰»ƒZƒ“ƒ^[iƒŒƒNEƒz[ƒ‹jA“ˆ’Õm{‚c‚r‚e |
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‚Ó‚é‚¢‚¯‚â ...uƒ|ƒGƒ€Eƒ}ƒV[ƒ“v‚Ìˆ×‚É |
Fu-ru-i-ke-ya for a Poem-Machine | 1985.06 | Hmin. | ‰‰‰‚P‚X‚W‚T”N‚UŒŽ‚Q“ú“Œ‹ž‰ÈŠw‹ZpŠÙ “ˆ’Õm{‚c‚r‚e |
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•Ï’²‚³‚ꂽŽ©‘R‰¹‚ƃIƒuƒWƒF‰»‚µ‚½ƒsƒAƒm‚É‚æ‚éu—̈æv | TERRITORY by modurated natural sounds and an objectified piano | 1985.05 | 15 min. | ‰‰‰F‚P‚X‚W‚T”N‚UŒŽ‚P‚S“úA•Ÿ“‡Œ§—§•¶‰»ƒZƒ“ƒ^[¬ƒz[ƒ‹APf)²“¡–¾”ü |
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•‚ã‚·‚é–¢—ˆ“sŽs‚Ìˆ×‚É | for a surfacing future-city | 1985.05 | 60 min. | ‚P‚X‚W‚T”N‚UŒŽ‚Q“ú‰‰‰ “Œ‹ž‰ÈŠw‹ZpŠÙA“ˆ’Õm{‚c‚r‚e |
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‚Ulƒ`ƒFƒ‚ׂ̈Ìu•ù‚°•¨v | The Offering for 6 Cellos | 1984.07 | 15 min. | ‰‰‰:‚P‚X‚W‚U”N‚PŒŽ‚P‚Q“ú ƒ†ƒŠƒEƒXEƒNƒŒƒ“ƒQƒ‹EƒRƒŒƒMƒEƒ€^ƒ‰ƒCƒvƒ`ƒq(ƒ‰ƒCƒvƒ`ƒqEƒQƒ”ƒ@ƒ“ƒgƒnƒEƒX) |
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ƒZƒOƒƒ“ƒe | Segment for Viola solo | 1983.12 | 15 min. | ‰‰‰:‚P‚X‚W‚U”N‚P‚OŒŽ‚P‚S“úƒpƒ“ƒ€ƒW[ƒNAƒ\ƒEƒ‹ Va)Jin-Yung,Kwon |
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•‘—x‰¹Šyu”gv | NAMI(wave) for new dance | 1983.11 | 70 min. | ‚P‚X‚W‚R”N‚P‚PŒŽ‚Q‚T“ú‰‰‰ Vh•¶‰»ƒZƒ“ƒ^[‘åƒz[ƒ‹ |
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uĶv...º‚ƃsƒAƒm‚Ìˆ×‚É iŽF’|‰ª”Í’jj |
Rebirth for a voice and piano | 1983.1 | 13 min. | ‰‰‰‚P‚X‚W‚S”N‚PŒŽ‚P‚R“ú M.Sop)ã–Ø—SŽq |
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ƒ‚ƒmƒf² III ‚Q‚‚̃”ƒ@ƒCƒIƒŠƒ“‚ƃsƒAƒm‚Ìˆ×‚É |
Monody III for two Violins and Piano | 1983.05 | 13 min. | ‰‰‰‚P‚X‚W‚R”N‚UŒŽ‚Q‚V“ú | @ | |
utv...ƒoƒŠƒgƒ“‚ƃsƒAƒm‚ׂ̈ÉiŽFŒÜ–¡‘¾˜Yj | Spring for Bariton and Piano | 1983.03 | 12 min. | ‰‰‰F‚P‚X‚W‚R”N‚TŒŽ‚R“úu‰Í–{Šì‰îƒŠƒTƒCƒ^ƒ‹vƒ‹[ƒeƒ‹Žsƒ–’JƒZƒ“ƒ^[i“Œ‹žjBar)‰Í–{Šì‰î/Pf)‘ºã–¾”ü |
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ƒt[ƒK...ƒsƒAƒmEƒ\ƒ‚Ì‚½‚ß‚É | Fuge for piano solo | 1983.02 | 15 min. | ‚P‚X‚W‚R”N‚TŒŽ‚P‚Q“úÂŽRƒ^ƒ[Eƒz[ƒ‹i“Œ‹žj Pf)ƒˆƒnƒ“EƒtƒHƒ“Eƒ”ƒƒbƒwƒ€ |
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‚à‚Ì‚Å‚¡II...ƒtƒ@ƒSƒbƒgEƒ\ƒ‚Ìˆ×‚É | Monody for bassoon solo | 1982.12 | @ | @ | @ | |
‚à‚Ì‚Å‚¡...ƒtƒ‹[ƒg‚ƃtƒ@ƒSƒbƒg‚Ìˆ×‚É | Monody for flute and bassoon | 1982.1 | 13 min. | ‰‰‰‚P‚X‚W‚Q”N‚P‚QŒŽ‚P‚T“ú Fl)“c‘º—²^Fa)‘¾“c»‹v |
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”g‚̉¹ŠyIV...ƒI[ƒ{ƒGEƒ\ƒ‚Ìˆ×‚É | Wave-music VI for oboe solo | 1982.02 | @ | @ | @ | |
u”g‚̉¹Šy IIIv...ƒgƒ‰ƒ“ƒyƒbƒg¤ƒzƒ‹ƒ“¤ƒgƒƒ“ƒ{[ƒ“‚ƃsƒAƒm‚Ìˆ×‚É | Wave-music III for Tr,Horn,Tb and Piano | 1981.12 | 13:06 | 1985,
3.6, ƒCƒCƒmƒz[ƒ‹ATp)“c‹{Œ˜“ñ /Hr)“ì_”V / Tb)ŒI“c‰ëŸ /Pf)¼ŽRŒ³ |
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‚Sƒ`ƒƒƒ“ƒlƒ‹Eƒe[ƒv‚ƃgƒ‰ƒ“ƒyƒbƒg‘tŽÒ‚Ì‚½‚ß‚ÌuƒŒƒNƒCƒGƒ€v | Requiem for Tape and Trumpeter | 1981.09 | 15.25 min. | ‚P‚X‚W‚P”N‚P‚PŒŽ‚P‚X“úƒpƒ“ƒ€ƒW[ƒNA“Œ‹žƒhƒCƒc•¶‰»ƒZƒ“ƒ^[/Tp)“c‹{Œ˜“ñ ¡‚P‚X‚W‚Q”N‚RŒŽ‚R‚O“úƒCƒ“ƒxƒ“ƒeƒBƒIƒlƒ“Aƒxƒ‹ƒŠƒ“H‹Æ‘åŠwƒŠƒqƒgƒzƒtiƒxƒ‹ƒŠƒ“jATp)“c‹{Œ˜“ñ ¡‚P‚X‚W‚Q”N‚P‚OŒŽ‚P‚O“úATp)“c‹{Œ˜“ñ ¡‚P‚X‚W‚S”N‚P‚PŒŽ‚Q‚O“úAƒ[ƒ} ATp)“c‹{Œ˜“ñ |
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ƒ‚ƒƒŒ II...ƒsƒAƒmEƒ\ƒ‚Ì‚½‚ß‚É | Moire II for piano solo | 1981.06 | 15 min. | ‰‰‰‚P‚X‚W‚P”N‚P‚PŒŽ‚P‚O“ú ƒL[ƒ‹‘åŠwƒz[ƒ‹iƒL[ƒ‹j Pf)ƒˆƒnƒ“EƒtƒHƒ“Eƒ”ƒƒbƒwƒ€ |
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ƒRƒ“ƒrƒl[ƒVƒ‡ƒ“i‘g‡‚¹j | Combinations computer music for quadrophony | 1981.02 | 10.55 min. | ‚P‚X‚W‚Q”N‚UŒŽ‚P‚O“úƒu[ƒ‹ƒWƒFiƒtƒ‰ƒ“ƒXj ¡‚P‚X‚W‚Q”N‚UŒŽ‚P‚O“ú “Œ‹žƒRƒ“ƒT[ƒgi“Œ‹žj |
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uƒ‚ƒmƒSƒj[ IIv...“Æ‘tƒ`ƒFƒ‚Ìˆ×‚É | Monogony II for violincello solo | 1981.02 | 15 min. | ‰‰‰F‚P‚X‚W‚P”N‚SŒŽ‚V“ú ƒxƒ‹ƒŠƒ“H‹Æ‘åŠwƒŠƒqƒgƒzƒtiƒxƒ‹ƒŠƒ“j Vcj‘O“‡’¼F |
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ƒ‚ƒƒŒ...‚Q–{‚̃tƒ‹[ƒg‚ƃsƒAƒm‚Ì‚½‚ß‚É | Moire for 2 flutes and piano | 1980.11 | 11 min. | ‰‰‰F‚P‚X‚W‚O”N‚P‚QŒŽ‚P‚W“úƒGƒbƒZƒ“ Fl)ƒeƒBƒ‹EƒVƒ…[ƒXƒ^[‚Ù‚© ¡“ú–{‰‰‰F‚P‚X‚W‚P”N‚RŒŽ‚Q‚U“úAŽs’Jƒ‹[ƒeƒ‹ Fl)“c‘º—²/‘‰iOº/Pf)‹v•Û“cáÁŽq ¡‚P‚X‚W‚P”N‚TŒŽ‚P‚U“ú Fl)“c‘º—²/•‚ƒ–’J/Pf)÷ˆä |
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”g‚̉¹Šy I ...‚Q‚‚̃I[ƒPƒXƒgƒ‰‚Ìˆ×‚É |
Wave-music I for two orchestra groups | 1980.07 | 20 min. | @ | @ | |
ƒcƒBƒgƒvƒ‰ƒYƒ} | Cytoplasma for 8ch.Tape | 1980.06 | 10.45 min. | ‰‰‰:‚P‚X‚W‚P”N‚SŒŽ‚V“ú ƒxƒ‹ƒŠƒ“H‹Æ‘åŠwƒŠƒqƒgƒzƒtiƒxƒ‹ƒŠƒ“j |
CD: "Inventionen: Zytoplasma / Maa'ts / Fractal (Edition RZ, 1985) | |
u”g‚̉¹Šy IIv | Wave-music II for 4ch.Tape | 1980.06 | 30 min. | ‰‰‰F‚P‚X‚W‚P”N‚UŒŽ‚S“ú ƒˆƒnƒlƒXEƒxƒbƒJ[•¶‰»lƒNƒ‰ƒuiƒxƒ‹ƒŠƒ“j |
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ƒ”ƒ@ƒCƒIƒŠƒ“Eƒ\ƒ‚ׂ̈Ìuƒ‚ƒmƒSƒj[v | Monogony for violin solo | 1980.02 | 15 min. | ‰‰‰‚P‚X‚W‚O”N‚XŒŽ‚R‚O“úƒ|ƒcƒiƒjŽs—§‰¹Šy“°iƒ|ƒcƒiƒjjVc)’C–¤–¾Žq |
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ƒvƒ‰ƒYƒ} ƒtƒ‹[ƒgAƒgƒƒ“ƒ{[ƒ“‚Æ‚P‚RŒ·Šy‘tŽÒ‚Ìˆ×‚É |
Plasma for flute,trombone and 13 strings | 1979.06 | @ | @ | @ | |
t‚Ì‚Í‚¶‚ß | The beginning of Spring for Tape | 1979.05 | @ | ‰‰‰F‚P‚X‚V‚X”N‚P‚OŒŽ‚Q‚X“úA ƒxƒ‹ƒŠƒ“H‹Æ‘åŠw”ŠwVŠÙƒMƒƒƒ‰ƒŠ[iƒxƒ‹ƒŠƒ“j |
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ƒ\ƒlƒbƒg
I.II.III. ƒRƒ“ƒgƒ‰ƒoƒXEƒ\ƒ‚Ì‚½‚ß‚É |
Sonnet I.II.III. for double-bass solo | 1979.04 | 15 min. | ‰‰‰F‚P‚X‚W‚P”N‚TŒŽ‚P‚U“úƒRƒ“ƒcƒFƒ‹ƒgƒU[ƒ‹Eƒuƒ“ƒfƒXƒAƒŒ[iƒxƒ‹ƒŠƒ“)AKb)–k—Ñ‹v–¾ |
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ƒlƒIƒvƒ‰ƒYƒ} | Neoplasm for flute,oboe,clarinet,bassoon and 2 Horns | 1979.02 | @ | ‰‰‰F‚P‚X‚V‚X”N‚P‚OŒŽƒxƒ‹ƒŠƒ“Œ|p‘åŠw |
DVfM | |
ƒIƒŠƒIƒ“...ƒ`ƒFƒ‚ƃsƒAƒm‚Ì‚½‚ß‚É | Orion for violoncello and piano | 1978.12 | @ | @ | @ | |
ƒAƒ‹ƒgEƒtƒ‹[ƒg@ƒ\ƒ‚Ì‚½‚ß‚ÌuƒJƒVƒIƒyƒCƒAv | Cassiopeia for solo alto flute | 1978.11 | 12 min. | ‰‰‰:ƒxƒ‹ƒŠƒ“Œ|p‘åŠwŽº“àŠyƒz[ƒ‹iƒxƒ‹ƒŠƒ“j |
DVfM8052
1987AƒhƒCƒcAƒuƒ‰ƒCƒgƒRƒbƒvƒEƒ“ƒgƒwƒ‹ƒeƒ‹ŽÐBreitkopf & HŠrtel 1997 CDFFl)Eberhard Blum, Hat Hut Record Ltd."Japan, Flute 1997", hat[now] ART106, Switzerland, |
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ü...‚Q‚‚̃”ƒ@ƒCƒIƒŠƒ“‚ƃ`ƒFƒ‚Ìˆ×‚É | Line for 2 violins and violoncello | 1978.01 | 8 min. | ‰‰‰A‚P‚X‚V‚X”N‚PŒŽ‚P‚U“ú | @ | |
uŒ‹@IIv...ƒ”ƒ@ƒCƒIƒŠƒ“‚ƃNƒ‰ƒŠƒlƒbƒg‚Ìˆ×‚É | YUI(connexions)II.for violin and Clarinet | 1978.05 | 11 min. | ‰‰‰F‚P‚X‚V‚W”N‚UŒŽ‚P‚S“úƒŠƒ…[ƒxƒbƒNAƒhƒCƒc |
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uŒ‹v...ƒ”ƒ@ƒCƒIƒŠƒ“‚ƃ\ƒvƒ‰ƒm‚Ìˆ×‚É | YUI(connexions)I...for violin and soprano | 1978.05 | 10 min. | @ | @ | |
ƒAƒ|ƒXƒ^ƒW[i”wMj | Apostasy electronic music for 4ch.Tape | 1978.04 | 12 min. | ‰‰‰:‚P‚X‚V‚X”N‚VŒŽ‚P‚X“ú ƒAƒƒŠƒJEƒnƒEƒXEƒxƒ‹ƒŠƒ“i¼ƒxƒ‹ƒŠƒ“j |
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ƒ^ƒCƒ€Eƒ”ƒ@[ƒWƒ‡ƒ“ | Time Version for string Orchestra | 1978.04 | 10 min. | ‰‰‰‚P‚X‚V‚W”N‚UŒŽ‚Q‚R“ú ƒQƒuƒŠƒ…[ƒ_[EƒuƒbƒVƒ…EƒeƒAƒ^[iƒqƒ‹ƒwƒ“ƒoƒbƒnjŽwŠöj“ˆ’Õm^ƒW[ƒK[ƒ‰ƒ“ƒhEƒI[ƒPƒXƒgƒ‰ |
•ú‘—FWDR III | |
UŽq...‹àŠÇŒÜd‘t‚Ì‚½‚ß‚É | Pendulum for blass winds quintet | 1978.03 | @ | @ | @ | |
ƒNƒƒ‚ƒ]ƒ€(õF‘Ìj | Chromosom for string quartet | 1978.01 | 11 min. | ‰‰‰:‚P‚X‚W‚O”N‚TŒŽ‚R‚O“úSFB,
Berlin |
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ƒGƒ”ƒHƒŠƒ…[ƒVƒ‡ƒ“I.II.III.(i‰»j ‚R–{‚̃tƒ‹[ƒg‚Ì‚½‚ß‚É |
Evolution for 3 flutes | 1977.12 | 9 min. | @ | DVfM o”ÅF‚P‚X‚W‚U”NA | |
ƒzƒŒƒYƒ€‚̉Hª ...Œ·ŠyŽld‘t‚ÆŒ·Šy‡‘t‚Ì‚½‚ß‚É |
Feather in Hollesum for string quartet and string orch. | 1977.01 | @ | @ | @ | |
ƒ”ƒ@[ƒeƒCƒJƒ‹EƒvƒŒƒŠƒ…[ƒh | Vertical Prelude | 1976 | @ | ‰‰‰:‚P‚X‚V‚U”N‚P‚PŒŽ‚R“ú“Œ‹žŠwŒ|‘å | @ |