“ˆ’Õm@‘Sì•i (2018”Nƒlƒ“5ŒŽƒKƒc5“úƒjƒ`Œ»ÝƒQƒ“ƒUƒC)
Takehito SHIMAZU all composition list iuntil 2018.05.03j
1) ƒ^ƒCƒgƒ‹ 2) Title(E) 4) ì‹È”N Date of Work 7) ‰‰‘tŽžŠÔ Duration 8) ‰‰‰(‰‰‘t)  ¡Ä‰‰ƒTƒCƒGƒ“ 12) ”õlƒrƒRƒEAo”Å Publish“™ƒiƒh
u‚·‚«‚Æ‚Ù‚é•—v‚P‚RŒ¼‚Æ‚P‚VŒ¼â¶‚Ì‚½‚ß‚É " Transparent Wind " for 13-gen and 17-gen Koto 2017.11.12 13 min. 2017”N12ŒŽ5“úu‰ÍŒ´”ºŽqX‰ÍŒ´´ŽqƒŠƒTƒCƒ^ƒ‹v“Œ‹ž‹âÀƒ„ƒ}ƒnƒz[ƒ‹ @
u–¢—ˆ_Šy 2017v‚Ì‚½‚߂̉¹Šy Music for Mirai-Kagura 2017  2017.08.26 30 min. 2017”N‚WŒŽ‚Q‚U“úu–¢—ˆ_Šy2017viŽF˜a‡—ºˆêjA•Ÿ“‡ˆî‰×_ŽÐ @
uX‚ÖA‚·‚«‚Æ‚Ù‚Á‚½•—E“óv‚Ì‚½‚߂̉¹Šy@Ö“¡•¶t‚³‚ñ‚̌“W‚ÉŠñ‚¹‚Ä @ 2016.11.29 7 min. ƒe[ƒv‚É‚æ‚鉉‰j2016”N‚P‚PŒŽ‚Q‚X“úuÖ“¡•¶tŒÂ“WvASARPiå‘äƒA[ƒeƒBƒXƒgƒ‰ƒ“ƒvƒŒƒCƒXj @
w—¬“]x‘ÅŠyŠí‘tŽÒ‚ƃRƒ“ƒsƒ…[ƒ^‚Ì‚½‚ß‚É  "Flux" for a percussionist and computer 2016.09.23 12 min. 2016”N‚XŒŽ‚Q‚R“úuã–ìMˆê‘ÅŠyŠíƒŠƒTƒCƒ^ƒ‹`hŽã‰¹‚Ì–£—ÍhvƒIƒyƒ‰ƒVƒeƒB‹ß]Šy“°A“Œ‹ž @
ƒpƒtƒH[ƒ}ƒ“ƒXwÎx‚Ì‚½‚߂̉¹Šy@ƒ‰ƒCƒuEƒRƒ“ƒsƒ…[ƒ^‚É‚æ‚é Music for the performance "Stone" 2016, by live computer 2016.09.22 20 min. 2016”N‚XŒŽ‚Q‚Q“ú@—ìŽRŽq‹Ÿ‚Ì‘ºA•Ÿ“‡ @
u–¢—ˆ_Šy 2016v‚Ì‚½‚߂̉¹Šy Music for Mirai-Kagura 2016  2016.08.28 30 min. 2016”N‚WŒŽ‚Q‚W“úu–¢—ˆ_Šy2016viŽF˜a‡—ºˆêjA•Ÿ“‡ˆî‰×_ŽÐ @
ƒoƒŠƒgƒ“‚ƃI[ƒPƒXƒgƒ‰‚Ì‚½‚ß‚ÌuƒŒƒNƒCƒGƒ€ 2016v REQUIEM 2016 for Bariton and Orchestra 2016.04.01 10:40 2016”N‚SŒŽ‚P“úISCM u¢ŠE‰¹ŠyƒZƒJƒCƒIƒ“ƒKƒN‚Ì“úXƒqƒrvWorld Music Days Tongyeong @
¬º‡¥‚ƃsƒAƒm‚Ì‚½‚ß‚Ìw”ÑŠÚ‚ÌŽl‹Gx2015 Four Haiku, four Seasons in IIDATE 2015
for mixed chorus and piano
2015.08.27 11 min. ‚Q‚O‚P‚U”N‚QŒŽ‚U“úMFJ(Music from Japan)A•Ÿ“‡Žs‰¹Šy“°A‡¥j•Ÿ“‡‚Z¬º‡¥’c @
ƒoƒŠƒgƒ“iƒeƒm[ƒ‹j‚ƃsƒAƒm‚Ì‚½‚ß‚ÌuƒŒƒNƒCƒGƒ€v REQUIEM for Bariton or Tenor and Piano 2015.01.26 12 min. ‚Q‚O‚P‚T”N‚P‚QŒŽ‚U“úuƒIƒyƒ‰‹¦‰ïƒKƒ‰EƒRƒ“ƒT[ƒgv•Ÿ“‡Œ§•¶‰»ƒZƒ“ƒ^[ATen)¡”öŽ ^Pf)”ªŠª @
u‘’‘—v@ƒgƒ‰ƒ“ƒyƒbƒg‚ƃMƒ^[‚Ì‚½‚ß‚É Sou-sou for Trumpet and Guiter 2015.12.11 7 min. ‚Q‚O‚P‚T”N‚P‚QŒŽ‚P‚P“ú‘]‰ä•”´“T•ŽR“cŠx@ƒfƒ…ƒIƒRƒ“ƒT[ƒg@vol.4A—¼‘–å“Vƒz[ƒ‹
‘]‰ä•”´“Tiƒgƒ‰ƒ“ƒyƒbƒgj^ŽR“cŠxiƒMƒ^[j
@
ƒE゙ƒ@ƒCƒIƒŠƒ“‚ƃIƒ‹ƒJ゙ƒ“‚Ì‚½‚ß‚Ìu¶X—¬“]v`Žá‚¢‰‰‘t‰Æ‚Ì‚½‚ß‚Ì—ûK‹È` g Birth, flux, change and deathg for Violin and Organ 2015.11 11 min. 2017”N5ŒŽ25“ú(–Ø) ƒoƒCƒIƒŠƒ“‚ƃIƒ‹ƒKƒ“‚ÌDUO‚É‚æ‚éu¶X—¬“]v19 ŽžŠJ‰‰ “ú–{¹Œö‰ï¹ƒn゚ƒEƒ‹³‰ïAViolinj‹{• —C‰ÊAOrganj’†àV –¢”¿ @
u–¢—ˆ_Šy 2015v‚Ì‚½‚߂̉¹Šy Music for Mirai-Kagura 2015 2015.08.23 30 min. ‚Q‚O‚P‚T”N‚WŒŽ‚Q‚R“úi“úju–¢—ˆ_ŠyviŽF˜a‡—ºˆêjA•Ÿ“‡ˆî‰×_ŽÐ‹«“à @
Žº“àŠy‚Ì‚½‚ß‚Ìu’±X•Ï‘t‹Èv`•Ÿ“‡Žs“଒†Šw¶‚Æ‚Ì‹¤ì‚É‚æ‚é Chamber Music"Choucho Variation" 2015.03.24 10 min. ‚Q‚O‚P‚T”N‚RŒŽ‚Q‚S“úAƒŠƒ“ƒJ[ƒ“ƒZƒ“ƒ^[Aƒjƒ…[ƒˆ[ƒN @
‡¥‹Èu‚±‚ê‚©‚çv`‚±‚Ç‚à‚½‚¿‚Ö` Chor Music "From Now"  towords Children 2015.02.15 3 min. 2015”N‚P‚QŒŽ‚U“úu•Ÿ“‡ƒIƒyƒ‰‹¦‰ï@ƒKƒ‰EƒRƒ“ƒT[ƒgvƒIƒyƒ‰‹¦‰ï‡¥’cA•Ÿ“‡‘åŠw¬º‡¥’cAŽwŠöj[‘ò‹mAƒsƒAƒmj”ªŠª˜a–ç
@
¬º‡¥‚Ì‚½‚ß‚ÌuˆêS•s—v`‚±‚Ç‚à‚½‚¿‚ւ̃vƒŒƒ[ƒ“ƒg` Chor Music "Concentration"  a gift to children  2015.02.01 4 min. 2015”N‚P‚QŒŽ‚U“úu•Ÿ“‡ƒIƒyƒ‰‹¦‰ï@ƒKƒ‰EƒRƒ“ƒT[ƒgvƒIƒyƒ‰‹¦‰ï‡¥’cA•Ÿ“‡‘åŠw¬º‡¥’cAŽwŠöj[‘ò‹mAƒsƒAƒmj”ªŠª˜a–ç @
ƒI[ƒPƒXƒgƒ‰‚Ì‚½‚ß‚Ìu’±X•Ï‘t‹Èv`•Ÿ“‡Žs“଒†Šw¶‚Æ‚Ì‹¤ì‚É‚æ‚é " Choucho Variation " for Orchetsra copruduced with the children in Fukushima
2014.11 @ 2014”N2ŒŽ11“ú•Ÿ“‡Žs‰¹Šy“°u‘æ1‚O‰ñƒI[ƒPƒXƒgƒ‰EƒtƒBƒ‹ƒWƒbƒqv‰‰‘t‰ï^ŽwŠöF‚‹´—T”ViƒAƒ“ƒR[ƒ‹‹Èj @
•½“c‘ºŒ’N‘Ì‘€‚Ì‚½‚߂̉¹Šy @ 2013.05 8 min. @ @
•Ò‹È"Ich ruf zu dir, Herr Jesus Christ"(Œ´‹ÈFJ.S.Bach, BWV 639) @ 2013.11 ‚R min. 2013”N2ŒŽ7“ú•Ÿ“‡Žs‰¹Šy“°u‘æ9‰ñƒI[ƒPƒXƒgƒ‰EƒtƒBƒ‹ƒWƒbƒqv‰‰‘t‰ï^ŽwŠöF‚‹´—T”V iƒAƒ“ƒR[ƒ‹‹Èj @
¹‰Ì@`ƒI[ƒPƒXƒgƒ‰‚Ì‚½‚ß‚É Hymn---Holy Song for Orchestra  2013.11 7 min. 2014”N2ŒŽ11“ú•Ÿ“‡Žs‰¹Šy“°u‘æ1‚O‰ñƒI[ƒPƒXƒgƒ‰EƒtƒBƒ‹ƒWƒbƒqv‰‰‘t‰ï^ŽwŠöF‚‹´—T”V @
ƒI[ƒPƒXƒgƒ‰‚Ì‚½‚ß‚ÌŒð‹¿ƒ‰ƒt゚ƒ\ƒe゙ƒB[u¼‚©‚çA“Œ‚©‚çv
Symphonic Rhapsody " from west and east"  for Children Orchestra 2012.04 7 min. 2013iH25”Nj‚RŒŽ‚P“ú[•Ÿ“‡‘åŠwŠÇŒ·Šy’cA¬º‡¥’cA•‘®¬A’†ŠwZ‡“¯‰‰‘t‰ï]•Ÿ“‡Žs‰¹Šy“° @
u•—‚âv”\ŠÇ‚ÆŽÚ”ª‚É‚æ‚éA“ú–{•‘—x‚Ì‚½‚ß‚É "To Wind"  Music for Japanese Traditional Dance, for No-kan and SHakuhachi   2012.11 14 min. 2012iH24”Nj‚P‚QŒŽ‚S“úu—SŽq‚̉ïvi“Œ‹žA‰¤Žqƒz[ƒ‹j”\ŠÇF•ŸŒ´“O@ŽÚ”ªF‘P—{Ž› @
u•—‚Ì‚²‚Æ‚­ IIv  `ƒI[ƒPƒXƒgƒ‰‚Ìˆ×‚É " Wie der Wind II " for Orchestra  2012.103 14 min. 2012”N10ŒŽ30“úi‰Îj@uJFC ƒAƒWƒA‰¹ŠyÕvA•¶‹žƒVƒrƒbƒNƒz[ƒ‹A“Œ‹žiŽwŠöF“ˆ’Õm^“Œ‹žƒtƒBƒ‹ƒn[ƒ‚ƒjƒbƒNŠÇŒ·Šy’cj @
º‚ÆâÈâÂƑŊyŠí‚Ì‚½‚ß‚Ìw”ÑŠÚ‚ÌŽl‹GEŽl‹åx Four Haiku, four seasons in IITATE  2012 2012..02.05 11 min. 2012”Ni•½¬24”Nj2ŒŽ5“úuƒ~ƒ…[ƒWƒbƒNEƒtƒƒ€EƒWƒƒƒpƒ“‰¹ŠyÕv
ºFÂŽRŒbŽq/âÈâÃF’†‘ºm”ü/‘ÅŠyŠíF‰Á“¡‹±Žq
CDuŒÓ◂̺The Voice of KokavAML records, 2013
ŒÄ‹z‚̃Rƒ~ƒ…ƒjƒP[ƒVƒ‡ƒ“ II (ƒo[ƒWƒ‡ƒ“F♃\ƒj Breath Communication II for solo Shô 2011.66 10 min. ƒAƒWƒA“`“ŠyŠí‚̃”ƒBƒ‹ƒgƒD[ƒ]‚ÆYACOB Young Asian Chamber Orchestra Berlin
“úŽžF2011”N6ŒŽ21“ú/’†‘•¶‰»‰ïŠÙ Berlin
â™F^“ç®”V
@
uŒÄ‹z‚̃Rƒ~ƒ…ƒjƒP[ƒVƒ‡ƒ“v♂ƃRƒ“ƒsƒ…[ƒ^‚Ì‚½‚ß‚É Breath Communication for a Shô-player and Computer 2011.04.02 14 min. 2011”N6ŒŽ5“ú“Œ—m”üpŠÙAƒ_[ƒŒƒ€”üpŠÙ
â™F^“ç®”V
@
u‹F‚èvƒI[ƒPƒXƒgƒ‰‚Ƭº‡¥‚É‚æ‚é
3.11kЕœ‹»‹F”O‚Ì‚½‚ß‚É
INORI  Praying for the earthquake disaster reconstruction on March 11. 2011 in Tohoku 2011.09.01 11:40 2011”N12ŒŽ26“úu•Ÿ“‡‘åŠwŠÇŒ·Šy’c’èŠú‰‰‘t‰ïƒkЕœ‹»‹F”O„v•Ÿ“‡Žs‰¹Šy“°
ŽwŠöj“ˆ’Õm
@
•Ò‹È"Piango, gemo"(Œ´‹ÈFƒrƒoƒ‹ƒfƒB) Piango, gemo for Orchestra (Arrange) 2010.13 2 min. 2010”N‚PŒŽ‚R‚O“úuƒI[ƒPƒXƒgƒ‰EƒtƒBƒ‹ƒWƒbƒq@‘æ‚T‰ñ‰‰‘t‰ïv•Ÿ“‡Žs‰¹Šy“°A•Ÿ“‡Žs @
•Ò‹È"ƒxƒjƒX‚ÌM‰ÌhiŒ´‹ÈFƒƒ“ƒfƒ‹ƒXƒ][ƒ“@u–³Œ¾‰Ìvop.30-6j Transcription "Venetian Gondellied"
(Mendelssohn: "Lieder ohne Worte" op3-6)
2010.01.23 3 min. @ @
uƒAƒ‰ƒxƒXƒNv“ú–{•‘—x‚ׂ̈ÉiŽÂ“J‚ƃtƒ‹[ƒg‚É‚æ‚éj Arabesque
for Japanese Traditional  Dance
2010.11.01 14 min. 2010”Nƒlƒ“11ŒŽƒKƒc1“úƒjƒ`,w—SŽq‚̉ïx ‹I”öˆäƒz[ƒ‹i¬jA“Œ‹žFlFÖ“¡˜aŽu@^ŽÂ“JF•ŸŒ´“O @
ƒpƒtƒH[ƒ}ƒ“ƒXuÎ`‚R•”ìv‚Ì‚½‚߂̉¹Šy Music for Performing Arts 'Stone ~3 parts' 2010.10.01 20 min. @ @
“ñ‚‚̃tƒ@ƒSƒbƒg‚Ì‚½‚ß‚ÌuƒAƒ‰ƒxƒXƒNv Arabesque
für 2 Fagotten
2010.08.27 12 min. 2010”Nƒlƒ“11ŒŽƒKƒc7“úƒjƒ`A•Ÿ“‡‘åŠwì‹ÈŒ¤‹†‰ïuV‚µ‚¢‰¹Šy‚Ö‚Ì’§í‚QvAƒAƒbƒNƒX•Ÿ“‡ Hofmeister 2012
΂Ƃ̑Θb Communication with Stones 2009.11.23 20 min. 2009”N11ŒŽ23“ú`30“úw‰ª–{‘¾˜Y‚Ì”Ž•¨ŠÙE‚Í‚¶‚߂鎋“_xA•Ÿ“‡Œ§—§”Ž•¨ŠÙA‰ï’ÃA @
ƒpƒtƒH[ƒ}ƒ“ƒXu΂̌ċzv Performance "Stone Breath" for live computer 2009.10.14 15 min. ‚Q‚O‚O‚X”N10ŒŽ18“ú‘ä˜p“dŽq‰¹ŠyÕ2009,@‘ä–kA‘ä˜pŒ|p‰@ƒz[ƒ‹A @
ƒtƒ@ƒSƒbƒgEƒ\ƒ‚Ì‚½‚ß‚ÌuŽqŽç‰Sv @ 2009.04.01 3 min. ‚Q‚O‚O‚X”N‚P‚PŒŽ‚V“úuV‚µ‚¢‰¹Šy‚Ö‚Ì’§ív @
ƒI[ƒPƒXƒgƒ‰‚Ì‚½‚ß‚ÌuŽqŽç‰Sv Lullaby for Orchestra 2009.01.25 ‚QF‚R‚O ‚Q‚O‚O‚X”Ni•½¬‚Q‚P”Nj‚PŒŽ‚Q‚T“úƒI[ƒPƒXƒgƒ‰EƒtƒBƒ‹ƒWƒbƒq‘æ‚T‰ñ‰‰‘t‰ïA•Ÿ“‡Žs‰¹Šy“° @
u΂̑§v ƒRƒ“ƒsƒ…[ƒ^‰¹Šy Stone Breath
dedicated to Folkmar Hein for his 65. Birthday
2009.01.14 ‚X min. ‚Q‚O‚O‚X”N‚QŒŽ‚P‚S“úCCMC2009,@“Œ‹ž“ú•§Šw‰@AƒGƒXƒpƒXEƒCƒ}[ƒWƒ…A“Œ‹ž
@
ƒpƒtƒH[ƒ}ƒ“ƒXuÎv‚Ì‚½‚߂̉¹Šy Music for Performing Arts 'Stone' 2008.01.04 25 min. ‚Q‚O‚O‚W”N‚XŒŽ‚V“úAu‰ï’ÃpƒtƒH[ƒ}ƒ“ƒXEƒtƒFƒXƒeƒBƒoƒ‹vA‚â‚Ü‚Ñ‚±A‰ï’ÃŽO“‡’¬A•Ÿ“‡ @
•Ò‹ÈuƒWƒ€ƒmƒyƒfƒB[viŒ´‹ÈFƒGƒŠƒbƒNEƒTƒeƒB[uƒWƒ€ƒmƒyƒfƒB[‚P”Ôv @ 2008.08.08 2 min. ‚Q‚O‚O‚W”Ni•½¬‚Q‚O”Nj‚WŒŽ‚W“úu•Ÿ“‡‘åŠwŠÇŒ·Šy’cƒTƒ}[EƒRƒ“ƒT[ƒgviŽwŠöF“ˆ’ÕmjC•Ÿ“‡Žs‰¹Šy“° @
“ú–{•‘—x‚Ì‚½‚߂̉¹Šyu—Ž‰ÔviƒRƒ“ƒgƒ‰ƒoƒXEƒ\ƒ‚É‚æ‚éj Rakka, Falling Flowers for Japanese Dance for solo Doublebase  2007.10.01 16 min. ‚Q‚O‚O‚V”N‚P‚QŒŽ‚P‚S“úu—SŽq‚̉ïv‹I”öˆäƒz[ƒ‹i¬jA“Œ‹žAKBFa“üŒhŽO @
ƒ[ƒtƒBƒƒXEƒ\ƒ‚Ì‚½‚߂̃ƒTƒCƒ“ƒY„ Signs for Zephuros solo 2007.08.31 15 min. 2007.9.7. JFCƒAƒ“ƒfƒpƒ“ƒ_ƒ“A“Œ‹žA @
ŽO–¡ü‚ƃMƒ^[‚Ì‚½‚ß‚ÌuƒVƒ…ƒs[ƒQƒ‹vi‹¾j Mirror for Shamisen and Guiter 2007.08.01 10 min. 2007.9.1,uM•Yv‹I”öˆäƒz[ƒ‹i¬jA“Œ‹ž
ŽO–¡üF‰z’q‹`”TGuit:“¡–呾˜Y,
@
ƒgƒ‰ƒ“ƒyƒbƒg‚É‚æ‚é“ú–{•‘—x‚Ì‚½‚߂̉¹Šyu‚«‚´‚µv Signs for Traditional Dance by a trumpeter  2006.10.01 14 min. 2007”Nƒlƒ“10ŒŽƒKƒc‚P“úƒjƒ`u—TŽqƒ†ƒEƒR‚̉ïƒJƒCv@Tp)‘]‰ä•”ƒ\ƒJƒx´“TƒLƒˆƒmƒŠ @
Œð‹¿“I•Ï—eu•—‚Ì‚²‚Æ‚­v  ƒI[ƒPƒXƒgƒ‰‚Ìˆ×‚É Symphonic Metamorphose "Wie der Wind"(like the wind) for large Orchestra 2006.09.01 14 min. 2007”Nƒlƒ“ƒI[ƒPƒXƒgƒ‰EƒtƒBƒ‹ƒWƒbƒq‘æ ‰ñ‰‰‘t‰ïA•Ÿ“‡Žs‰¹Šy“°,ŽwŠöF‚‹´—T”V @
Œ·ŠyƒI[ƒPƒXƒgƒ‰‚Ì‚½‚ß‚Ìu‚Q‚‚̃V[ƒ“v 2 Scenes for String Orchestra 2006.07.09 16 min. 2006”N‚VŒŽ‚X“úƒuƒƒcƒƒtŽº“àŠy‰¹ŠyÕAƒuƒƒcƒƒtu•ŠíŒÉ”Ž•¨ŠÙviƒ|[ƒ‰ƒ“ƒhjAƒuƒ‰ƒ`ƒXƒ‰ƒrƒAŽº“àƒAƒ“ƒTƒ“ƒuƒ‹ @
2l‚̃”ƒBƒuƒ‰ƒtƒHƒ“‘tŽÒ‚Ì‚½‚ß‚Ìu¯„‚è@IIv Roaming Stars II for 2 Vibraphone Players 2005.10.01 14 min. 2005.12.15, u—SŽq‚̉ïv“ú–{•‘—xF¼ì—SŽqA
Vib: ã–ìMˆêA¬–“^—R”ü
@
Œ·Šy‚Ì‚½‚ß‚Ìu©‚È–é‚Év In a silent night for String Orchestra  2005.09.01 9 min. 2005”N12ŒŽ23“úuƒNƒŠƒXƒ}ƒXEƒRƒ“ƒT[ƒgv•Ÿ“‡Žs‰¹Šy“°AŽwŠöj“ˆ’Ã^ƒAƒ“ƒTƒ“ƒuƒ‹‚Ó‚­‚µ‚Ü
@
Œ·ŠyƒI[ƒPƒXƒgƒ‰‚ׂ̈ÌuƒAƒ_[ƒWƒ‡v@@
--ƒOƒ‰ƒ“ƒhEƒ[ƒ‚ÌlX‚ւ̃Gƒsƒ^[ƒt
Adagio for String Orchestra
~Epithaph for the people of the Ground-Zero
2004.12.11 8 min. 2004.12.11. uƒIƒ‹ƒKƒ“‚ÆŽº“àŠy‚Ì—[‚×v•Ÿ“‡Žs‰¹Šy“°/ŽwŠöF‚‹´—T”V @
u‘¾—z•—v‰f‘œ‚ƃRƒ“ƒsƒ…[ƒ^‰¹Šy‚É‚æ‚é hSolar Windh  for Audio-Visual media 2004.08.21 43 min. 2004”N8ŒŽ21“úuƒnƒEƒ‹@ƒtƒFƒXƒeƒBƒoƒ‹vAƒt[ƒWƒ‡ƒ“ƒA[ƒcƒ~ƒ…[ƒWƒAƒ€Aƒjƒ†[ƒˆ[ƒNAUSA @
ƒ‚ƒ_ƒ“ƒ_ƒ“ƒXuƒ}ƒCEƒ`ƒF[ƒzƒtv‚ׂ̈̉¹Šy Music for Modern dance "My Chekhov" 2004.08.16 55 min. 2004”N9ŒŽ9“ú`12“úu•‡“ñŽOŽ}ŽqŒ»‘ã•‘—xŒö‰‰vƒA[ƒgƒtƒŒƒbƒNƒXA“V‰¤FƒAƒCƒ‹A“Œ‹ž @
‹àŠÇƒAƒ“ƒTƒ“ƒuƒ‹‚Ì‚½‚ß‚ÌuƒAƒxEƒ}ƒŠƒAviŒ´‹ÈƒJƒbƒ`[ƒjì‹Èj Ave Maria for Blass Ensemble
 (org. composed by Guilio Caccini)
2004.07.25 @ 2004”N‚WŒŽ‚Q‚W“úƒAƒ“ƒTƒ“ƒuƒ‹u”òãÄv’èŠúŒö‰‰A•Ÿ“‡Žs‰¹Šy“°i¬j @
“ñl‚ÌŽO–¡ü‘tŽÒ‚Ì‚½‚ß‚Ìu‚Ý‚¿‚Âêv Michi-Zure, A Journy accompanied
for 2 Sangen-Players
2004.05.23 11 min. 2004”N‚UŒŽ‚P‚T“úwM•Kx‹I”öˆäƒz[ƒ‹i¬j @
Ž™“¶‡¥‚ƃ`ƒFƒAƒsƒAƒm‚Ì‚½‚ß‚Ìs—c‚«–½‚Ö‚Ì•æ”è–¼tuMAMAvAu‚¢‚Ì‚èv Epitaph for little life for children Chorus, Cello and Piano 2003.1.22 20 min. 2004”N‚XŒŽ‚P‚Q“úu•Ÿ“‡Žs­”N­—‡¥’c‘æ‚T‰ñ’èŠú‰‰‘t‰ïx•Ÿ“‡Žs‰¹Šy“°iŽwŠöFr»Žq^ƒ`ƒFƒF‹à’J¹Ž¡j...‘æ‚P‹ÈwMAMAx‚̂݉‰‰B
@
u¯„‚胎Wi‚³‚ñj„vV—…‹Õi•œŒ³ŠyŠíj‚É‚æ‚é SAN -  Roaming Stars  for Shiragi-Koto 2003.12.14 13 min. 2004”N12ŒŽ14“úw—SŽq‚̉ïx@V—…‹Õ:’|àV‰xŽq @
À‚­t
ƒoƒCƒIƒŠƒ“ƒ\ƒ‚ׂ̈É
A spring passed away for Violin solo 2003.12.11 13.30 w—SŽq‚̉ïx2003.12.11.‹I”öˆäƒz[ƒ‹i¬j
 violin)b”ãŽjŽq
@
ƒ‚ƒ_ƒ“ƒ_ƒ“ƒX‚Ì‚½‚߂̉¹Šyu—Î@@‚»‚ê‚Í–½v Green -it's life for modern dance 2003.11.04 23 min. 2003”N‚P‚PŒŽu•‡“ñŽOŽ}ŽqŒ»‘ã•‘—xŒö‰‰vƒA[ƒgEƒXƒtƒBƒAA“V‰¤FƒAƒCƒ‹ @
‚¢‚¢‰ÁŒ¸‚ȑΊpü II 2003
“ú–{•‘—x‚Æ13Œ¼A17Œ¼âµ‚ƃtƒ‹[ƒgAƒRƒ“ƒsƒ…[ƒ^‚»‚µ‚ÄBBB ‚ÌŠÔ‚É•`‚­
@ 2003.03.08 14 min. 2003”N5ŒŽƒKƒc‚R‚P“úƒjƒ`ƒU[ƒ‹ƒuƒ‹ƒbƒPƒ“‰¹ŠyÕƒIƒ“ƒKƒNƒTƒCASaalbrücken, Germany ¡2005ƒhƒŒƒXƒfƒ“‰¹ŠyÕƒIƒ“ƒKƒNƒTƒC @
ƒoƒbƒnƒi[ƒŒ@‚Rlƒjƒ“‚̃`ƒFƒ‘tŽÒƒ\ƒEƒVƒƒ‚Ì‚½‚ß‚É Bachnale for 3 Cellists 2003.01.18 5 min. ‚Q‚O‚O‚R”N‚RŒŽ‚Q“ú‹à’JƒAƒ“ƒTƒ“ƒuƒ‹ @
•—‚ÌÕ@---“ú–{•‘—x‚Æ17Œ¼ƒ\ƒ‚Ìˆ×‚É @ 2002.09.25 14 min. 2002”N12ŒŽ11“ú,“ú–{•‘—xu—SŽq‚̉ïv
@@@‹I”öˆäƒz[ƒ‹A“Œ‹ž
@@@•‘—xj¼ì—SŽqA17Œ¼j‰ÍŒ´´Žq
@
•‘—x‰¹Šyu‘¾—z•—v Solar Winds
Music for Modern dance
2002.08.15 41 min. 2002”Nƒlƒ“10ŒŽƒKƒc2“úƒjƒ`,•‡“ñŽOŽ}ŽqŒ»‘ã•‘—xŒö‰‰A“V‰¤FƒAƒCƒ‹ @
‰ß‚¬‚µ“ú‚ÌŽv‚¢o`ƒsƒAƒmƒ\ƒ‚Ì‚½‚ß‚É reminiscent of days gone by for Piano solo 2002.01.08 6:30 2002”Nƒlƒ“1ŒŽƒKƒc15“úƒjƒ`•Ÿ“‡ƒeƒ‹ƒTu’†”¨~ƒsƒAƒmƒŠƒTƒCƒ^ƒ‹v @
•‘—x‰¹Šyu”gv2001 NAMI 2001--- music for modern dance  2001.09 42 min. 2001”N‚XŒŽ‚P‚T“úu•‡“ñŽOŽ}Žq•‘—x’cŒö‰‰v“V‰¤BƒAƒCƒ‹A“Œ‹ž @
¼•½—Š‹ÅŽ‚̌Êó‚É•ù‚°‚és Sixty seconds for YRAK t Sixty seconds for YRAK   for a Double-Bassist 2001.08.12 ‚P min. 2001.10.5 @
‚¢‚¢‰ÁŒ¸‚ȑΊpü II
13Œ¼âµ‚ƃtƒ‹[ƒgA‚»‚µ‚ăRƒ“ƒsƒ…[ƒ^‚Æ•‘—x‚ÌŠÔ‚É•`‚­
Fuzzy Diagonals II 2001.02 12 min. 2001”N2ŒŽ17“úi“yju‚¢‚¢‰ÁŒ¸‚ȑΊpü IIvƒVƒAƒ^[X @
—ë“x‚ÌŽvl``ƒuƒgƒE•‘“¥ƒuƒgƒE‚Ì‚½‚ß‚É A Thought at Zero degree for Japanese Dance 2001.02 8.37 2001”N 9ŒŽ ƒVƒ^ƒ^|xA—¼‘^“Œ‹ž @
—ë“x‚ÌŽvl II`ƒNƒ‰ƒŠƒlƒbƒgƒ\ƒ‚Ì‚½‚ß‚É A Thought at 0Bfor Clarinet solo 2001.02 7 min. 2001”Nƒlƒ“3ŒŽƒKƒcu´ì‹MŽqƒLƒˆƒJƒƒ^ƒJƒR@ƒNƒ‰ƒŠƒlƒbƒgEƒŠƒTƒCƒ^ƒ‹v •Ÿ“‡ƒeƒ‹ƒTA @
ƒ_ƒ“ƒXƒtƒFƒXƒeƒBƒoƒ‹2000‚Ì‚½‚߂̉¹Šy Music for Dance festival 2000 2000.08.11 ‚P‚V min. 2000”N‚XŒŽ16“ú/17“úƒVƒAƒ^[Xi‘Ûƒ_ƒ“ƒXƒtƒFƒXƒeƒBƒoƒ‹2000j @
“y‚Ì–À‹{B@13Œ¼‘tŽÒ‚Æ17Œ¼‘tŽÒ‚ׂ̈É
i’r“c–žŽõ•v‚Ì“¯–¼‚Ìì•i‚̃Cƒ[ƒW‚©‚çj
Ceramic Labyrinth B  for a 13-gen and a 17-gen Koto Players
imaged from the last work of M.Ikeda
2000.04 12 min. 2000.05.20A•Ÿ‰ª‚ ‚¢‚ê‚Óƒz[ƒ‹@13-gen)‰ÍŒ´”ºŽqA17-gen)‹e’n’îŽq @
w‹¶‹C‚Ì\‘¢x‚Ql‚̃sƒAƒjƒXƒg‚Ìˆ×‚É Mad Structures for 2 pianists 2000.01 @ 2000.03.17A“Œ‹žƒIƒyƒ‰ƒVƒeƒBAƒŠƒTƒCƒ^ƒ‹ƒz[ƒ‹uŒ»‘ã‚̉¹Šy“W2000v
Pf) •“cˆŸŽ÷^’†‘º˜aŽ}
@
ƒ‰EƒtƒHƒŠƒA@III@[‹¶‹C‚Ì‚È‚©‚Ö[iƒtƒ‹[ƒgAƒNƒ‰ƒŠƒlƒbƒgAƒoƒCƒIƒŠƒ“Aƒ`ƒFƒAŠe‘tŽÒ‚Ì‚½‚ß‚Éj La Follia III   into a madness
for a Flutist,  a Clarinetist , a Violinist and  a Cellist
1999.03.17 ca. 18 min. 1999”N3ŒŽ17“úi…jA’Ócƒz[ƒ‹AŒ»‰¹uŽº“àŠy‚Ì¡vA‰‰‘tƒGƒ“ƒ\ƒEj“Œ‹žƒVƒ“ƒtƒHƒjƒGƒbƒ^ @
‹àŠÇŒÜd‘t‚Ì‚½‚߂̉¹Šy
’r“c–žŽõ•v‚Ìâìu”ü–e‚Ì‹óv‚ÉŠñ‚¹‚Ä
Music for Blass Quintet
from "Good-Looking Blue Sky" by the late Masuo Ideka 
1999.03.01 10 min. ‚Q‚O‚O‚O”Nƒlƒ“@ƒAƒ“ƒTƒ“ƒuƒ‹u‹P‹¿v @
ƒ‰@ƒtƒHƒŠƒA ƒjƒ…[
i‹¶‹C‚ÌŒ`Ž®j
La Follia  NEW   a form of madness 1998.08.31 14:20 min. Realized at the studio INA-GRM, Radio-France, Paris,  france @
uƒ‰ƒtƒNƒ‰ƒCvƒVƒ“ƒoƒ‹‘tŽÒ‚Æ“dŽq‰¹‹¿‚Ì‚½‚ß‚É LAUGHCRY  for a Cymbal-player and Tape and live electronic  1998.08.21 16:03 min. 1998”N9ŒŽ26“úuƒ~ƒ…[ƒWƒbƒNEƒRƒ“ƒNƒŒ[ƒg50”NvParochial kirche/Berlin @
ƒ‰@ƒtƒHƒŠƒA II
‹¶‹C‚Ö‚Ì—U‚¢
La Follia  II 
Invitaion to madness for a Flutist and Tape and live electronic
1998.04.02 14:10 min. 1998”N‚TŒŽ‚Q‚Q“úƒU[ƒ‹ƒuƒŠƒ…ƒbƒPƒ“AFl)Camille Hoitenga
¡2000.6.20. Neuw Japanishe Floetenmusik,
@
‚S–{‚̃zƒ‹ƒ“‚ƃ`ƒ…[ƒo‚Ì‚½‚߂̉¹Šy
’r“c–žŽõ•v‚Ìâìu”ü–e‚Ì‹óv‚ÉŠñ‚¹‚Ä
Music for four Horns and Tuba
from "Good-Looking Blue Sky" by the late Masuo Ideka 
1997.12.10 10 min. 2000.1.12uƒ~ƒ…[ƒWƒAƒ€EƒRƒ“ƒT[ƒgv’r“c–žŽõ•v”üpŠÙ @
ƒ‰@ƒtƒHƒŠƒA
i‹¶‹C‚ÌŒ`Ž®j
La Follia
a form of madness
1997.08.15 9:50 min. ‚P‚X‚X‚V”N‚P‚OŒŽ‚Q‚R“úuƒŒƒNƒ`ƒƒ[EƒRƒ“ƒT[ƒg@ƒRƒ“ƒsƒ…[ƒ^EƒTƒEƒ“ƒY‚ÌÕ“Tv“Œ‹ž“ú•§Šw‰@A“Œ‹ž @
ⵂ̊G–{
‚³‚ ‚ç‚Ì‚P“ú
A day with my Saarah  A Sketch Book for 13-gen Koto 1997.06.03 10 min. ˆê•”‰‰‰Fâµj‚½‚©‚¾—¢ @
w‰¹ŠyŠG–{s“VŽg‚Ì‚P“útx A Music Sketchbook "A Day of an Engel" 1997.06.03 @ ƒsƒAƒmF’†”¨@~@        ˜N“ÇF’|àV@‰Ã–¾
sŽl‚‚̕—‚̉¹ŠyÕt•Ÿ“‡Žs‰¹Šy“°‘åƒz[ƒ‹, 2003”N‚RŒŽ‚Q‚U“úi…j
@
–²‚Ì‚Ü‚½–²@II
13Œ¼âµ‚Ì‚½‚߂̉¹Šy
A Dream after Dreams II  for 13-gen Koto 1997.01.23 10 min. 1997”N‚TŒŽ‚P‚V“úu‰ÍŒ´”ºŽq@ⵃŠƒTƒCƒ^ƒ‹v•Ÿ‰ª @
–²‚Ì‚Ü‚½–²
s•‘“¥Œ¶Ž‹t‚Ì‚½‚߂̉¹Šy
A Dream after Dreams or Butoh Gen-Shi 1996.09.08 60 min. 1996”N‚XŒŽ8“úƒ_ƒ“ƒXƒtƒFƒXƒeƒBƒoƒ‹qPAN‚̃A[ƒeƒBƒXƒg‚½‚¿r‚©‚çAƒVƒAƒ^[X, —¼‘ @
•Ÿ“‡‘‘Ìi“~AƒXƒL[j‚ÌW’c‰‰‹Z‚ׂ̈̉¹Šy
“~‚©‚çt‚ÖA‚»‚µ‚ĉĂ©‚çH‚Ö
Music for Koku-Tai
from Winter to Spring and from SUmmer to Autumn
1996.02 20 min. 1996”N‚QŒŽ‚P‚V“ú’–•c‘㬊wZ @
ƒŒƒNƒCƒGƒ€@II Requiem  II  for a Saxphonist, Tape and live Computer 1995.09 15.25 min. 1995”N11ŒŽ2“ú_ŒËƒW[ƒxƒbƒNƒz[ƒ‹ASax)•½“c‰p“ñ
@
ƒXƒg[ƒ“EƒT[ƒNƒ‹
΂̉¹‹¿’¤‚Æ‘ÅŠyŠí‘tŽÒAŽO–¡ü‘tŽÒ‚ƃRƒ“ƒsƒ…[ƒ^§Œä‚É‚æ‚éVP1‚ׂ̈É
Stone Circle for Sound sculptures, percussionist, 3-gen player and VP‚P controlled by a computer 1994.11 ca. 30 min. ‚P‚X‚X‚S”N‚P‚PŒŽ‚Q“úAu΂ÌÕ“TvAç—t–‹’£ƒƒbƒZ
‘ÅŠyŠíFã–ìMˆê ^@ŽO–¡üF¼ŠƒºŽq ƒRƒ“ƒsƒ…[ƒ^F“ˆ’Õm
@
ƒCƒŠƒ…[ƒWƒ‡ƒ“ƒY@II
for UPIC solo
Illusions II for  UPIC 1994.1 12 min. @ @
ƒCƒŠƒ…[ƒWƒ‡ƒ“ƒY@uŒ¶‰e@`–²‚͌͂ê–ì‚ðv Illusions in desolated fields
for a Sangen-player and UPIC
1994.09.01 15 min. ‚P‚X‚X‚S”N‚P‚QŒŽ‚Q“úAƒIƒŠƒrƒGEƒƒVƒAƒ“Eƒz[ƒ‹A
@@@ƒ‰ƒWƒIEƒtƒ‰ƒ“ƒXAƒpƒŠAŽO–¡üj‚“c˜aŽq
CD:Xenakis, UPIC, Continuum,Mode,NY 
wŽž‹ó‚̃^ƒu[x
‚P‚VŒ¼âµ‚ƃ‰ƒCƒuEƒRƒ“ƒsƒ…[ƒ^‰¹ŠyƒVƒXƒeƒ€‚ׂ̈É
Taboo on a space-time
for 17gen-Koto and live computer system
1994.09 ca.15 ‰‰‰F‚P‚X‚X‚S”N10ŒŽ25“úA“Œ‹ž‚e‚lƒz[ƒ‹
@
w‹óŠÔ‚Ì‹Z–@xƒIƒ‹ƒKƒ“‚ƃRƒ“ƒgƒ‰ƒoƒX‚ׂ̈É

Art of  the space 1994.07.06 12:47 ‰‰‰F‚P‚X‚X‚S”N‚VŒŽ‚P‚T“ú•Û“c‹IŽqƒIƒ‹ƒKƒ“Vì“WIV
@@@ƒUEƒn[ƒ‚ƒj[ƒz[ƒ‹^¼–{AOrg)•Û“c‹IŽqACb)a“üŒhŽO
@
w‚¢‚¢‰ÁŒ¸‚ȑΊpüx@
‚P‚VŒ¼‚ÆŽF–€”ú”iA‚»‚µ‚ăsƒAƒm‚ƃRƒ“ƒsƒ…[ƒ^‚ÌŠÔ‚É•`‚­
Fuzzy Diagonals 
drawn between 17-gen Koto, Satsuma-Biwa, Piano and Computer
1994.05.15 11  min. ‰‰‰F‚P‚X‚X‚S”N‚TŒŽ‚P‚W“úw‚¢‚¢‰ÁŒ¸‚ȑΊpüx
@@@ƒVƒAƒ^[‚˜AŽF–€”ú”ijã“cƒŽq ‚P‚VŒ¼âµj‚“c—¢AƒsƒAƒmj“ˆ’Ö¾”üAƒRƒ“ƒsƒ…[ƒ^j“ˆ’Õm
@
Œ·ŠyƒI[ƒPƒXƒgƒ‰‚Ì‚½‚ß‚ÌuƒcƒŠ[v "TREE"   for String Orchestra 1994.05.01 ca. 10 min. @ @
w’B–‚³‚ñ‚ªEEEEH@-II-@x
ƒtƒ‹[ƒeƒBƒXƒg‚ƃMƒ^ƒŠƒXƒgA‚»‚µ‚Ä‘ÅŠyŠí‘tŽÒ‚ׂ̈É
Is Mr. Dharma .... - II - 1994.04 9  ‰‰‰F‚P‚X‚X‚S”N‚UŒŽ‚S“úƒPƒ‹ƒ“AFl)Camille Hoitenga @
‰ƒi‚¤‚½‚°j
ƒ_ƒ“ƒT[‚Æ‚U‘ä‚̃JƒZƒbƒgƒŒƒR[ƒ_[‚ׂ̈É
Feast  for a dancer and 6 cassett-players 1994.03 17'30 Version)ƒ_ƒ“ƒT[‚Æ‚U‘ä‚̃JƒZƒbƒgƒvƒŒ[ƒ„[‚ׂ̈É
‰‰‰F‚P‚X‚X‚S”N‚RŒŽ‚Q‚S“ú
@
›~¢ @
ƒsƒAƒm‘tŽÒ‚ƃ‰ƒCƒuEƒRƒ“ƒsƒ…[ƒ^‰¹ŠyƒVƒXƒeƒ€‚Ì‚½‚ß‚É
›~¢  @for a pianist and live computer Music System 1993.08 18 min. ‰‰‰F‚P‚X‚X‚R”N‚P‚OŒŽ‚T“úA•g‘½—ߎqƒsƒAƒmƒŠƒTƒCƒ^ƒ‹AƒTƒ“ƒgƒŠ[Eƒz[ƒ‹i¬j @
wŒ´“_‚©‚çx
‚P‚VŒ¼âµ‘tŽÒ‚ƃRƒ“ƒsƒ…[ƒ^‰¹ŠyƒVƒXƒeƒ€‚Ì‚½‚ß‚É
 "From Origin Point" for a 17-gen Koto-Player and Computer  Music System 1992.11 @ ˆÏú‰‰‰F1992”N12ŒŽ10“ú@‹e’r’îŽq‚P‚VŒ¼âµ‚É‚æ‚郊ƒTƒCƒ^ƒ‹,“Œ‹ž•¶‰»‰ïŠÙ¬ƒz[ƒ‹ A17Œ¼)‹e’r’îŽq
@
  "Territory III"
ƒsƒAƒm‘tŽÒ‚ƃRƒ“ƒsƒ…[ƒ^‚É‚æ‚é 
Territory  III
for a pianist and live computer music system
1992.1 @ ‚P‚X‚X‚Q”N‚P‚PŒŽ‚R“ú“ú–{“dŽq‰¹Šy‹¦‰ï@‘æˆê‰ñ’èŠú‰‰‘t‰ï@‹âÀ\Žš‰®ƒz[ƒ‹APf)“ˆ’Ö¾”ü
@
‰¹‰¿‚Æ‹­“x‚ÆŽ‹Šo‚Ì”÷וω»‚𔺂¤‹óŠÔ‚É@
ˆê ‚à‚Ì‚Å‚¡‚uˆê
In a space,changing minimally the value,the intensity and the vision
        ---MONODIE  V---" for a Pianist
1992.08 @ ‰‰‰F‚P‚X‚X‚Q”N‚XŒŽ‚P‚P“ú@ua’JiŽqƒsƒAƒmƒŠƒTƒCƒ^ƒ‹v“Œ‹ž•¶‰»‰ïŠÙ¬ƒz[ƒ‹AˆÏú‰‰‰APf)a’JiŽq
@
Void main
ŽÚ”ª‘tŽÒ‚ƃRƒ“ƒsƒ…[ƒ^‰¹ŠyƒVƒXƒeƒ€‚Ì
ƒCƒ“ƒ^ƒ‰ƒNƒeƒBƒu‚È¢ŠE‚ð‹‚ß‚Ä
Void Main  in quest of the interactive world between a Shakuhachi-Player and a computer music system     1992.06 @ 1992”N7ŒŽ21“úu‰¹‚ÌŽÀŒ±ƒRƒ“ƒT[ƒg[“dŽqŠyŠíE‹@Ší‚̉”\«‚ð‹‚ß‚Ä[v–‹’£A•ú‘—‹³ˆçŠJ”­ƒZƒ“ƒ^[Eƒz[ƒ‹@Shaku)ŽR–{–MŽR
@
‰Ì‹ÈWw‘Ίpüx Diagonal Line@
for SOP, 13-gen Koto and Shakuhachi@
1992 @ 1992”N10ŒŽ18“úu]ì‚«‚ʃŠƒTƒCƒ^ƒ‹v‚©‚‚µ‚©ƒVƒ“ƒtƒHƒj[ƒz[ƒ‹EƒAƒCƒŠƒXƒz[ƒ‹, M-Sop)]ì‚«‚Ê@13gen)–öˆä”ü‰Á“Þ  Shaku)“c•ÓèñŽR @
w—ÕŠE“_x@‚Sl‚Ì‘ÅŠyŠí‘tŽÒ‚Ìˆ×‚É Critical Point   for 4 percussionists 1992 14 min. 1993”N10ŒŽ17“ú`Academy of permorming Arts, Musicarama,` @
"Grand and Sky"
ƒrƒfƒIEƒpƒtƒH[ƒ}ƒ“ƒX‚Ì‚½‚߂̉¹Šy
GRAND AND SKY
Live Performance Music 
1991.11 @ ‚P‚X‚X‚P”N‚P‚PŒŽ‚X“ú@...‚Q‘ä‚̃Rƒ“ƒsƒ…[ƒ^‚É‚æ‚é@ƒMƒƒƒ‰ƒŠ[ƒgƒ€^“Œ‹žAVideo)”Ñ‘º—²•F @
w‚¾‚é‚Ü‚³‚ñ‚ªEEEEx
‚R–{‚ÌŽÚ”ª‚Ì‚½‚ß‚É@
"Daruma-sa ga" 1991.09 @ ‰‰‰A‚P‚X‚X‚P”N‚XŒŽ‚P‚O“úuˆ¢ŽšŠÏƒRƒ“ƒT[ƒgv@
ŽOŒ¬’ƒ‰®ƒXƒ^ƒWƒI‚‚‚“AShaku)›Œ´‹vm‹`A’†‘º–¾ˆêA‹g‰ª—´Œ©
@
"MONODIE VIa"@‘ÅŠyŠí‘tŽÒ‚Æ‚t‚o‚h‚b‚Ìˆ×‚É Monodie  for  a percussionist and UPIC 1990.09 @ 30.Nov.1992,"Portrait de Iannis Xenakis", Radio France/Paris, Perc)Michael Pugliese @
s‚«s‚«‚Ä
c‚ ‚éŒ|p‰Æ‚ÌŽ€o‚Ì—·
YUKI-YUKI-TE@for Noh,Butoh and 17-gen Koto and Computer 1990.09 60 min. ‰‰‰F‘ÛŒ»‘㉹Šy‹¦‰ïISCMu¢ŠE‰¹ŠyÕ90vƒIƒXƒ
@
"MONODIE VI"@‚t‚o‚h‚b‚Ìˆ×‚É Monodie VI for  UPIC 1990.08 @ @ @
 ‚à‚Ì‚Å‚¡IV     ƒ†ƒsƒbƒN‚Ìˆ×‚É Monodie IV for UPIC 1990.08 @ ‰‰‰F‚P‚X‚X‚O”N‚VŒŽƒ}ƒbƒV[AƒAƒgƒŠƒGUPIC
@
DON-DON
‚P‚VŒ¼âµ‚ƃRƒ“ƒsƒ…[ƒ^‚ׂ̈É
DON DON for 17-gen Koto and Computer 1990 15 min. ‰‰‰F1990ut‚ÌŒ»‰¹v‰¹—Fƒz[ƒ‹A‚P‚VŒ¼j‹e’n’îŽq
@
ƒAƒŠƒX‚Ì–²
Œ€’cDAM‚ׂ̈̉¹Šy
Dream of Alice
for Theatre-group DAM
1990 @ ‰‰‰F1990Œ€’cDAMŒö‰‰ @
w•—‚̉¹EŽž‚̉¹xƒsƒAƒm‚ƃRƒ“ƒsƒ…[ƒ^‚É‚æ‚é  Sound of Wind, Sound of Time for Piano and Computer 1990 @ ‰‰‰A‚RŒŽ‚Q“ú“Œ–k‚Ìì‹È‰Æ'91 In Fukushima@
•Ÿ“‡Œ§•¶‰»ƒZƒ“ƒ^[¬ƒz[ƒ‹APf+Computer)“ˆ’Ö¾”ü
@
CATVuƒA[ƒeƒBƒXƒeƒBƒbƒNEƒrƒWƒ‡ƒ“v‚ׂ̈̉¹Šy Titling & Ending
from 'Artistic Vision' for CATV
1989.05.01 2 min. ï˙ëóÅF•½¬Œ³”N‚SŒŽ[‚P‚OŒŽA•¶‹ž‹æCATV,u’kŽÐ @
¬Î‚Ì‚²‚Æ‚­
ƒIƒ‹ƒKƒ“Eƒ\ƒ‚ׂ̈É
Like a small stone for a Pipe Organ solo 1989.09.03 15:08 1989”N10ŒŽ24“ú΋´ƒƒ‚ƒŠƒAƒ‹Dƒz[ƒ‹
@@@@Org:Noriko Yasuda
@
w‚±‚±‚ë‚È‚«xw‚ ‚¯‚Ê‚Æ‚Äx
º‚Æ‚P‚RŒ¼âµ‚ÆŽÚ”ª‚É‚æ‚é
"Kokoronaki""Akenutote" 1989 @ @ @
‰¹‚Ì‚ ‚Æ‚ÉiƒNƒxƒŒ<ò> II) `ƒn[ƒvEƒ\ƒ‚Ìˆ×‚É After the sounds (Quelle II) 1989 @ @ DVfM 8053x
SAISHIKI X+Y
Prolog und Metamorphose(Prom)
@ 1988.09 @ ‰‰‰FuÊF‰¹Šy“WvƒXƒ^ƒWƒI‚Q‚O‚O
@
ƒIƒuƒWƒF‰»‚µ‚½ƒsƒAƒm‚É‚æ‚éu—̈æ IIv TERRITORY II by  an objectified piano 1988.05 18 min. ‰‰‰F‚P‚X‚W‚W”NISCM Hong Kong Pf)²“¡–¾”ü
@
ƒNƒxƒŒ<ò> ‚P‚VŒ¼âµ‚Ìˆ×‚É @ 1988.02 @ @ DVfM 8053x
‰~ŠÂII...˜A‘±‚Æ•s˜A‘±‚ÌŒ` ROUND II...a form among continuity and discontinuity 1988.01 13:32 ‰‰‰‚P‚X‚W‚W”N‚RŒŽ‚P‚P“úŒ»‰¹A“Œ‹ž
BF)Hitomi Endo, Vc)Masahara Kanaya, Hp)Ayako Shinozaki
@
ƒ”ƒHƒCƒX
ŽÚ”ª‚ƃVƒ“ƒZAƒRƒ“ƒsƒ…[ƒ^‚Ì‚½‚ß‚É
Voice for Shakuhachi and Synthesizer, Computer 1988 15 min. ‰‰‰Fu‘¦‹»‚·‚鉹Šyƒ}ƒVƒ“vƒXƒ^ƒWƒI‚Q‚O‚OA
@@@ŽÚ”ªj‰““¡ˆê–¤
@
w΋´ II x@---ˆÙ‚Ȃ颊E‚ÌŠÔ‚Å---
\ŽµŒ¼âµ‚ׂ̈É
SHAKKYOH II  1988 @ 1988”N11ŒŽ7“úA17-gen)‹e’r’îŽq ŽóÜF•¶‰»’¡•‘‘äŒ|p‘n짗ãÜ“Á•ÊÜ
–œ‰Ø‹¾
uƒXƒy[ƒX‚Ìòv‚ׂ̈̉¹Šy
Mangekyo (Kaleidoscope)
for Video Installation 'A spring of Space'
1987.08 @ ‰‰‰F1987”N‚WŒŽƒpƒtƒH[ƒ}ƒ“ƒXƒtƒFƒXEƒCƒ“EƒqƒmƒGƒ}ƒ^Aƒ”ƒBƒfƒIjƒqƒOƒ}t’j @
u‚ä‚炬viƒRƒ“ƒsƒ…|ƒ^‚ׂ̈Éj YURAGI  for a computer and MIDI-System 1987.07 15 Min. ‰‰‰F‚P‚X‚W‚V”N‚VŒŽ‚P‚V“ú
ƒTƒEƒ“ƒhEƒtƒ@ƒNƒgƒŠ|‹îž
@
‰ƒi‚¤‚½‚°jII
‚U‘ä‚̃JƒZƒbƒgƒŒƒR[ƒ_[‚ׂ̈É
Feast  II..for 6 cassett-players 1987.07 7 min. Version)‚U‘ä‚̃JƒZƒbƒgƒvƒŒ[ƒ„[‚ׂ̈ÉiƒpƒtƒH[ƒ}ƒ“ƒXjAwƒpƒtƒH[ƒ}ƒ“ƒXEƒtƒFƒXƒeƒBƒoƒ‹EƒCƒ“EƒqƒmƒGƒ}ƒ^x @
‰ƒi‚¤‚½‚°jI
...‰‰Œ€uƒTƒ“ƒNƒ`ƒƒƒŠ[v‚ׂ̈̉¹Šy‚æ‚è
Feast  I...from a music for a Theater of DA.M 1986.11 7 min. ‰‰‰‚P‚X‚W‚U”N‚P‚QŒŽ‚P‚Q-‚P‚T“ú
T2ƒXƒ^ƒWƒIi“Œ‹žj
@
‚Uº‚̃Šƒ`ƒFƒ‹ƒJ[ƒŒ
iu‰¹Šy‚Ì•ù‚°‚à‚Ìv‚©‚çj
@ 1986.1 8 min. ‰‰‰:‚P‚X‚W‚U”N‚P‚QŒŽ‚P‚P“ú
•Ÿ“‡Œ§•¶‰»ƒZƒ“ƒ^[i¬ƒz[ƒ‹jAPf)²“¡–¾”ü^—é–Ør]
@
•ù‚°•¨ II
... ‚Q‘äƒsƒAƒm‚ׂ̈É
  The Offering II for 2 Pianos 1986.1 17 min. ‚P‚X‚W‚U”N‚P‚QŒŽ‚P‚P“ú‰‰‰
•Ÿ“‡Œ§—§•¶‰»ƒZƒ“ƒ^[¬ƒz[ƒ‹APf)²“¡–¾”ü / —é–Ør]
@
ƒAƒ‹ƒSƒŠƒXƒ~ƒbƒNEƒtƒB[ƒ‹ƒh   An Algorithmic-field 1986.08 45 min. ‰‰‰:‚P‚X‚W‚U”N‚WŒŽ‚Q‚R“ú
“ˆ’Õm{‚c‚r‚eA‰ï’ÕOŽ}‘º^•Ÿ“‡Œ§
@
΋´   [ˆÙ‚Ȃ颊E‚ÌŠÔ‚É[ Shakkyo(Stone Bridge)...between the confronting world 1986.07 15 min. ‰‰‰:‚P‚X‚W‚U”N‚P‚OŒŽ‚P‚P“ú
            Koto)‹e’n’îŽqA“Œ‹ž•¶‰»‰ïŠÙ¬ƒz[ƒ‹
@
ŒÃ’r‚É‚Ä At an old pond for piano 1986.05 15 min. ‰‰‰F1986”N9ŒŽ8“úƒoƒŠƒIEƒz[ƒ‹( “Œ‹ž)
Pf)²“¡–¾”ü
@
ƒRƒ“ƒv ‚P‚U-‚P‚W Comp 16-18
for 2 Personal Computers with PSG Sound-Board
as a music-installation
1986 15 min. ‰‰‰:‚P‚X‚W‚T”N‚P‚QŒŽ‚R“ú ]“Œ‹æ•¶‰»ƒZƒ“ƒ^[iƒŒƒNEƒz[ƒ‹j
‰ü’ù‰‰‰:‚P‚X‚W‚U”N‚XŒŽ‚P‚X“úuƒGƒ‹EƒTƒEƒ“ƒh‚W‚Uv‚j‚‚—‚‚‰ƒTƒEƒ“ƒhƒVƒe² Ea’J
@
wˆê•Ð‚Ì•—Œix
ƒrƒIƒ‰Aƒtƒ‹[ƒgAƒsƒAƒm‚ÆŽwŠöŽÒ‚Ì‚½‚ß‚É
" A Piece  of  landscape " 1986 @ ‰‰‰F‚P‚X‚W‚V”NA‹ËŽRƒ_ƒ“ƒXEƒŠƒTƒCƒ^ƒ‹
@
ƒAƒXƒtƒ@ƒ‹ƒgEƒoƒrƒƒ“ Asphalt-Babylon 1985.11 60 min. ‰‰‰:‚P‚X‚W‚T”N‚P‚QŒŽ‚R“ú
]“Œ‹æ•¶‰»ƒZƒ“ƒ^[iƒŒƒNEƒz[ƒ‹jA“ˆ’Õm{‚c‚r‚e
@
‚Ó‚é‚¢‚¯‚â
...uƒ|ƒGƒ€Eƒ}ƒV[ƒ“v‚ׂ̈É
Fu-ru-i-ke-ya for a Poem-Machine 1985.06 Hmin. ‰‰‰‚P‚X‚W‚T”N‚UŒŽ‚Q“ú“Œ‹ž‰ÈŠw‹ZpŠÙ
“ˆ’Õm{‚c‚r‚e
@
•Ï’²‚³‚ꂽŽ©‘R‰¹‚ƃIƒuƒWƒF‰»‚µ‚½ƒsƒAƒm‚É‚æ‚éu—̈æv TERRITORY by modurated natural sounds and an objectified piano 1985.05 15 min. ‰‰‰F‚P‚X‚W‚T”N‚UŒŽ‚P‚S“úA•Ÿ“‡Œ§—§•¶‰»ƒZƒ“ƒ^[¬ƒz[ƒ‹APf)²“¡–¾”ü
@
•‚ã‚·‚é–¢—ˆ“sŽs‚Ìˆ×‚É for a surfacing future-city 1985.05 60 min. ‚P‚X‚W‚T”N‚UŒŽ‚Q“ú‰‰‰
“Œ‹ž‰ÈŠw‹ZpŠÙA“ˆ’Õm{‚c‚r‚e
@
‚Ulƒ`ƒFƒ‚ׂ̈Ìu•ù‚°•¨v The Offering for 6 Cellos 1984.07 15 min. ‰‰‰:‚P‚X‚W‚U”N‚PŒŽ‚P‚Q“ú
ƒ†ƒŠƒEƒXEƒNƒŒƒ“ƒQƒ‹EƒRƒŒƒMƒEƒ€^ƒ‰ƒCƒvƒ`ƒq(ƒ‰ƒCƒvƒ`ƒqEƒQƒ”ƒ@ƒ“ƒgƒnƒEƒX)
@
ƒZƒOƒƒ“ƒe   Segment for Viola solo 1983.12 15 min. ‰‰‰:‚P‚X‚W‚U”N‚P‚OŒŽ‚P‚S“úƒpƒ“ƒ€ƒW[ƒNAƒ\ƒEƒ‹
Va)Jin-Yung,Kwon
@
•‘—x‰¹Šyu”gv NAMI(wave) for new dance 1983.11 70 min. ‚P‚X‚W‚R”N‚P‚PŒŽ‚Q‚T“ú‰‰‰
Vh•¶‰»ƒZƒ“ƒ^[‘åƒz[ƒ‹
@
uĶv...º‚ƃsƒAƒm‚ׂ̈É
iŽF’|‰ª”Í’jj
Rebirth for a voice and piano 1983.1 13 min. ‰‰‰‚P‚X‚W‚S”N‚PŒŽ‚P‚R“ú
M.Sop)ã–Ø—SŽq
@
ƒ‚ƒmƒf² III 
‚Q‚‚̃”ƒ@ƒCƒIƒŠƒ“‚ƃsƒAƒm‚ׂ̈É
Monody III for two Violins and Piano 1983.05 13 min. ‰‰‰‚P‚X‚W‚R”N‚UŒŽ‚Q‚V“ú @
utv...ƒoƒŠƒgƒ“‚ƃsƒAƒm‚ׂ̈ÉiŽFŒÜ–¡‘¾˜Yj Spring for Bariton and Piano 1983.03 12 min. ‰‰‰F‚P‚X‚W‚R”N‚TŒŽ‚R“úu‰Í–{Šì‰îƒŠƒTƒCƒ^ƒ‹vƒ‹[ƒeƒ‹Žsƒ–’JƒZƒ“ƒ^[i“Œ‹žjBar)‰Í–{Šì‰î/Pf)‘ºã–¾”ü
@
ƒt[ƒK...ƒsƒAƒmEƒ\ƒ‚Ì‚½‚ß‚É Fuge for piano solo 1983.02 15 min. ‚P‚X‚W‚R”N‚TŒŽ‚P‚Q“úÂŽRƒ^ƒ[Eƒz[ƒ‹i“Œ‹žj
Pf)ƒˆƒnƒ“EƒtƒHƒ“Eƒ”ƒƒbƒwƒ€
@
‚à‚Ì‚Å‚¡II...ƒtƒ@ƒSƒbƒgEƒ\ƒ‚Ìˆ×‚É Monody for bassoon solo 1982.12 @ @ @
‚à‚Ì‚Å‚¡...ƒtƒ‹[ƒg‚ƃtƒ@ƒSƒbƒg‚Ìˆ×‚É Monody for flute and bassoon 1982.1 13 min. ‰‰‰‚P‚X‚W‚Q”N‚P‚QŒŽ‚P‚T“ú
Fl)“c‘º—²^Fa)‘¾“c»‹v
@
”g‚̉¹ŠyIV...ƒI[ƒ{ƒGEƒ\ƒ‚Ìˆ×‚É Wave-music VI for oboe solo 1982.02 @ @ @
u”g‚̉¹Šy IIIv...ƒgƒ‰ƒ“ƒyƒbƒg¤ƒzƒ‹ƒ“¤ƒgƒƒ“ƒ{[ƒ“‚ƃsƒAƒm‚Ìˆ×‚É Wave-music III for Tr,Horn,Tb and Piano 1981.12 13:06 1985, 3.6, ƒCƒCƒmƒz[ƒ‹ATp)“c‹{Œ˜“ñ /Hr)“ì_”V / Tb)ŒI“c‰ëŸ /Pf)¼ŽRŒ³
@
‚Sƒ`ƒƒƒ“ƒlƒ‹Eƒe[ƒv‚ƃgƒ‰ƒ“ƒyƒbƒg‘tŽÒ‚Ì‚½‚ß‚ÌuƒŒƒNƒCƒGƒ€v Requiem for Tape and Trumpeter 1981.09 15.25 min. ‚P‚X‚W‚P”N‚P‚PŒŽ‚P‚X“úƒpƒ“ƒ€ƒW[ƒNA“Œ‹žƒhƒCƒc•¶‰»ƒZƒ“ƒ^[/Tp)“c‹{Œ˜“ñ
¡‚P‚X‚W‚Q”N‚RŒŽ‚R‚O“úƒCƒ“ƒxƒ“ƒeƒBƒIƒlƒ“Aƒxƒ‹ƒŠƒ“H‹Æ‘åŠwƒŠƒqƒgƒzƒtiƒxƒ‹ƒŠƒ“jATp)“c‹{Œ˜“ñ
¡‚P‚X‚W‚Q”N‚P‚OŒŽ‚P‚O“úATp)“c‹{Œ˜“ñ
¡‚P‚X‚W‚S”N‚P‚PŒŽ‚Q‚O“úAƒ[ƒ} ATp)“c‹{Œ˜“ñ
•ú‘—ƒzƒEƒ\ƒEFNHKuŒ»‘ãƒQƒ“ƒ_ƒC‚̉¹ŠyƒIƒ“ƒKƒNv
ƒ‚ƒƒŒ II...ƒsƒAƒmEƒ\ƒ‚Ì‚½‚ß‚É Moire II for piano solo 1981.06 15 min. ‰‰‰‚P‚X‚W‚P”N‚P‚PŒŽ‚P‚O“ú
ƒL[ƒ‹‘åŠwƒz[ƒ‹iƒL[ƒ‹j
Pf)ƒˆƒnƒ“EƒtƒHƒ“Eƒ”ƒƒbƒwƒ€
@
ƒRƒ“ƒrƒl[ƒVƒ‡ƒ“i‘g‡‚¹j Combinations computer music for quadrophony 1981.02 10.55 min. ‚P‚X‚W‚Q”N‚UŒŽ‚P‚O“úƒu[ƒ‹ƒWƒFiƒtƒ‰ƒ“ƒXj
¡‚P‚X‚W‚Q”N‚UŒŽ‚P‚O“ú “Œ‹žƒRƒ“ƒT[ƒgi“Œ‹žj
@
uƒ‚ƒmƒSƒj[  IIv...“Æ‘tƒ`ƒFƒ‚Ìˆ×‚É Monogony II for violincello solo 1981.02 15 min. ‰‰‰F‚P‚X‚W‚P”N‚SŒŽ‚V“ú
ƒxƒ‹ƒŠƒ“H‹Æ‘åŠwƒŠƒqƒgƒzƒtiƒxƒ‹ƒŠƒ“j
Vcj‘O“‡’¼F
@
ƒ‚ƒƒŒ...‚Q–{‚̃tƒ‹[ƒg‚ƃsƒAƒm‚Ì‚½‚ß‚É Moire for 2 flutes and piano 1980.11 11 min. ‰‰‰F‚P‚X‚W‚O”N‚P‚QŒŽ‚P‚W“úƒGƒbƒZƒ“
Fl)ƒeƒBƒ‹EƒVƒ…[ƒXƒ^[‚Ù‚©
¡“ú–{‰‰‰F‚P‚X‚W‚P”N‚RŒŽ‚Q‚U“úAŽs’Jƒ‹[ƒeƒ‹
Fl)“c‘º—²/‘‰iOº/Pf)‹v•Û“cáÁŽq
¡‚P‚X‚W‚P”N‚TŒŽ‚P‚U“ú Fl)“c‘º—²/•‚ƒ–’J/Pf)÷ˆä
@
”g‚̉¹Šy I
...‚Q‚‚̃I[ƒPƒXƒgƒ‰‚ׂ̈É
Wave-music I for two orchestra groups 1980.07 20 min. @ @
ƒcƒBƒgƒvƒ‰ƒYƒ} Cytoplasma for 8ch.Tape 1980.06 10.45 min. ‰‰‰:‚P‚X‚W‚P”N‚SŒŽ‚V“ú
ƒxƒ‹ƒŠƒ“H‹Æ‘åŠwƒŠƒqƒgƒzƒtiƒxƒ‹ƒŠƒ“j

CD:  "Inventionen: Zytoplasma / Maa'ts / Fractal (Edition RZ, 1985)
u”g‚̉¹Šy IIv Wave-music II for 4ch.Tape 1980.06 30 min. ‰‰‰F‚P‚X‚W‚P”N‚UŒŽ‚S“ú
ƒˆƒnƒlƒXEƒxƒbƒJ[•¶‰»lƒNƒ‰ƒuiƒxƒ‹ƒŠƒ“j
@
ƒ”ƒ@ƒCƒIƒŠƒ“Eƒ\ƒ‚ׂ̈Ìuƒ‚ƒmƒSƒj[v Monogony for violin solo 1980.02 15 min. ‰‰‰‚P‚X‚W‚O”N‚XŒŽ‚R‚O“úƒ|ƒcƒiƒjŽs—§‰¹Šy“°iƒ|ƒcƒiƒjjVc)’C–¤–¾Žq
‰¹ŠyƒIƒ“ƒKƒNƒmŒ|pƒQƒCƒWƒ…ƒc•t˜^ƒtƒƒNŠy•ˆƒKƒNƒtA‰¹Šy”V—FŽÐƒIƒ“ƒKƒNƒmƒgƒ‚ƒVƒƒ
ƒvƒ‰ƒYƒ}
ƒtƒ‹[ƒgAƒgƒƒ“ƒ{[ƒ“‚Æ‚P‚RŒ·Šy‘tŽÒ‚ׂ̈É
Plasma for flute,trombone and 13 strings 1979.06 @ @ @
t‚Ì‚Í‚¶‚ß  The beginning of Spring  for Tape 1979.05 @ ‰‰‰F‚P‚X‚V‚X”N‚P‚OŒŽ‚Q‚X“úA
ƒxƒ‹ƒŠƒ“H‹Æ‘åŠw”ŠwVŠÙƒMƒƒƒ‰ƒŠ[iƒxƒ‹ƒŠƒ“j
@
ƒ\ƒlƒbƒg I.II.III.
ƒRƒ“ƒgƒ‰ƒoƒXEƒ\ƒ‚Ì‚½‚ß‚É
Sonnet I.II.III. for double-bass solo 1979.04 15 min. ‰‰‰F‚P‚X‚W‚P”N‚TŒŽ‚P‚U“úƒRƒ“ƒcƒFƒ‹ƒgƒU[ƒ‹Eƒuƒ“ƒfƒXƒAƒŒ[iƒxƒ‹ƒŠƒ“)AKb)–k—Ñ‹v–¾
•ú‘—ƒzƒEƒ\ƒEFWDR III
ƒlƒIƒvƒ‰ƒYƒ} Neoplasm for flute,oboe,clarinet,bassoon and 2 Horns 1979.02 @ ‰‰‰F‚P‚X‚V‚X”N‚P‚OŒŽƒxƒ‹ƒŠƒ“Œ|p‘åŠw

DVfM
ƒIƒŠƒIƒ“...ƒ`ƒFƒ‚ƃsƒAƒm‚Ì‚½‚ß‚É Orion for violoncello and piano 1978.12 @ @ @
ƒAƒ‹ƒgEƒtƒ‹[ƒg@ƒ\ƒ‚Ì‚½‚ß‚ÌuƒJƒVƒIƒyƒCƒAv Cassiopeia for solo alto flute 1978.11 12 min. ‰‰‰:ƒxƒ‹ƒŠƒ“Œ|p‘åŠwŽº“àŠyƒz[ƒ‹iƒxƒ‹ƒŠƒ“j
DVfM8052 1987AƒhƒCƒcAƒuƒ‰ƒCƒgƒRƒbƒvƒEƒ“ƒgƒwƒ‹ƒeƒ‹ŽÐBreitkopf & HŠrtel 1997   
CDFFl)Eberhard Blum, Hat Hut Record Ltd."Japan, Flute 1997", hat[now] ART106, Switzerland,
ü...‚Q‚‚̃”ƒ@ƒCƒIƒŠƒ“‚ƃ`ƒFƒ‚Ìˆ×‚É Line for 2 violins and violoncello 1978.01 8 min. ‰‰‰A‚P‚X‚V‚X”N‚PŒŽ‚P‚U“ú @
uŒ‹@IIv...ƒ”ƒ@ƒCƒIƒŠƒ“‚ƃNƒ‰ƒŠƒlƒbƒg‚Ìˆ×‚É YUI(connexions)II.for violin and Clarinet 1978.05 11 min. ‰‰‰F‚P‚X‚V‚W”N‚UŒŽ‚P‚S“úƒŠƒ…[ƒxƒbƒNAƒhƒCƒc
@
uŒ‹v...ƒ”ƒ@ƒCƒIƒŠƒ“‚ƃ\ƒvƒ‰ƒm‚Ìˆ×‚É YUI(connexions)I...for violin and soprano 1978.05 10 min. @ @
ƒAƒ|ƒXƒ^ƒW[i”wMj Apostasy electronic music for 4ch.Tape 1978.04 12 min. ‰‰‰:‚P‚X‚V‚X”N‚VŒŽ‚P‚X“ú
           ƒAƒƒŠƒJEƒnƒEƒXEƒxƒ‹ƒŠƒ“i¼ƒxƒ‹ƒŠƒ“j
@
ƒ^ƒCƒ€Eƒ”ƒ@[ƒWƒ‡ƒ“ Time Version for string Orchestra 1978.04 10 min. ‰‰‰‚P‚X‚V‚W”N‚UŒŽ‚Q‚R“ú
ƒQƒuƒŠƒ…[ƒ_[EƒuƒbƒVƒ…EƒeƒAƒ^[iƒqƒ‹ƒwƒ“ƒoƒbƒnjŽwŠöj“ˆ’Õm^ƒW[ƒK[ƒ‰ƒ“ƒhEƒI[ƒPƒXƒgƒ‰
•ú‘—FWDR III
UŽq...‹àŠÇŒÜd‘t‚Ì‚½‚ß‚É Pendulum for blass winds quintet 1978.03 @ @ @
ƒNƒƒ‚ƒ]ƒ€(õF‘Ìj Chromosom for string quartet 1978.01 11 min. ‰‰‰:‚P‚X‚W‚O”N‚TŒŽ‚R‚O“úSFB, Berlin
@
ƒGƒ”ƒHƒŠƒ…[ƒVƒ‡ƒ“I.II.III.(i‰»j
‚R–{‚̃tƒ‹[ƒg‚Ì‚½‚ß‚É
Evolution for 3 flutes 1977.12 9 min. @ DVfM o”ÅF‚P‚X‚W‚U”NA
ƒzƒŒƒYƒ€‚̉Hª
...Œ·ŠyŽld‘t‚ÆŒ·Šy‡‘t‚Ì‚½‚ß‚É
Feather in Hollesum for string quartet and string orch. 1977.01 @ @ @
ƒ”ƒ@[ƒeƒCƒJƒ‹EƒvƒŒƒŠƒ…[ƒh Vertical Prelude 1976 @ ‰‰‰:‚P‚X‚V‚U”N‚P‚PŒŽ‚R“ú“Œ‹žŠwŒ|‘å @
inserted by FC2 system